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Happy Saturday for Stairs!

 

The Duke of York Column is a monument in London, England, to Prince Frederick, Duke of York, the second eldest son of King George III. The designer was Benjamin Dean Wyatt. It is sited where Regent Street meets The Mall, a purposefully wide endpoint of Regent Street known as Waterloo Place and Gardens, in between the two terraces of Carlton House Terrace and their tree-lined squares. The three very wide flights of steps down to The Mall adjoining are known as the Duke of York Steps. The column was completed in December 1832 and the statue of the Duke of York, by Sir Richard Westmacott, was raised on 10 April 18

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Do not use without permission.

 

[From the archives - Repost]

 

The Golden House - at least in this picture.

 

The construction of the house was began in 1825, and the exterior was designed by Benjamin Dean Wyatt. It was initially built for for the duke of York (the second son of George II) and called York House - but he died in 1827 when the house was far from finished.

 

The interior, finished in 1840, was designed by both Wyatt, and Sir Charles Barry and Sir Robert Smirke. It was purchased by George Leveson-Gower, Marquess of Stafford/1st Duke of Sutherland, and the house became known as the Stafford House for almost a hundred years.

 

In 1912 the house was bought by the soap-maker William Lever, 1st Viscount Leverhulme, who renamed it 'Lancaster House' in honour of his native county (he was born in Bolton, Lancashire).

 

From 1924 and for a little more than twenty years the house was the home to the London Museum, but it is now used for government receptions (the G7 summits of 1984 and 1991 were held here, for example) and is generally closed to the public.

Stratfield Saye House is a large stately home at Stratfield Saye in the north-east of the English county of Hampshire. It has been the home of the Dukes of Wellington since 1817.

 

Early history

The line of the Roman Road the Devil's Highway (Roman Britain) passes East to West just within the Northern boundary of the grounds of Stratfield Saye House [1]

 

The Manor of Stratfield Saye was created by the joining of two older manors. In the 12th century Stratfield was owned by the Stoteville family, and then early in the 13th century this passed by marriage to the Saye family.

 

Before 1370 the manor passed on again by marriage to the Dabridgecourts,[2] and in 1629 they sold the property to the Pitt family, cousins of the great father-and-son Prime Ministers.

 

The main part of the house was extensively enlarged around 1630 by Sir William Pitt, Comptroller of the Household to King James I. Sir William's eldest son, Edward Pitt (1592-1643), MP, of Steepleton Iwerne, Dorset, and later of Stratfield Saye, bought the estate for £4,800 in 1629.[3] Further extensive alterations were carried out to the house and park in the 18th century by George Pitt, 1st Baron Rivers.

 

Purchase by the state

 

The coachhouses and stable blocks at Stratfield Saye House.

The estate was purchased by the state in 1817, in order that it could be given by a grateful nation to the victorious Arthur Wellesley, 1st Duke of Wellington. The government gave £600,000 for the construction of a proposed "Waterloo Palace" to rival Blenheim Palace, home of the Dukes of Marlborough. The Hampshire site Wellington chose was the 5,000-acre (20 km2) estate of Stratfield Saye, home of the Pitt family. He was advised on the purchase by the architect Benjamin Dean Wyatt who had once been his private secretary.[4] He originally planned to demolish the existing house, and replace it with a more prestigious home, to be known as Waterloo Palace. The Duke abandoned these plans in 1821 when they proved to be too expensive, and subsequently made numerous additions and improvements to the existing building. All but the 1st and 6th Dukes are buried at Stratfield Saye House. Wikipedia

Stratfield Saye House is a large stately home at Stratfield Saye in the north-east of the English county of Hampshire. It has been the home of the Dukes of Wellington since 1817.

 

Early history

The line of the Roman Road the Devil's Highway (Roman Britain) passes East to West just within the Northern boundary of the grounds of Stratfield Saye House [1]

 

The Manor of Stratfield Saye was created by the joining of two older manors. In the 12th century Stratfield was owned by the Stoteville family, and then early in the 13th century this passed by marriage to the Saye family.

 

Before 1370 the manor passed on again by marriage to the Dabridgecourts,[2] and in 1629 they sold the property to the Pitt family, cousins of the great father-and-son Prime Ministers.

 

The main part of the house was extensively enlarged around 1630 by Sir William Pitt, Comptroller of the Household to King James I. Sir William's eldest son, Edward Pitt (1592-1643), MP, of Steepleton Iwerne, Dorset, and later of Stratfield Saye, bought the estate for £4,800 in 1629.[3] Further extensive alterations were carried out to the house and park in the 18th century by George Pitt, 1st Baron Rivers.

 

Purchase by the state

 

The coachhouses and stable blocks at Stratfield Saye House.

The estate was purchased by the state in 1817, in order that it could be given by a grateful nation to the victorious Arthur Wellesley, 1st Duke of Wellington. The government gave £600,000 for the construction of a proposed "Waterloo Palace" to rival Blenheim Palace, home of the Dukes of Marlborough. The Hampshire site Wellington chose was the 5,000-acre (20 km2) estate of Stratfield Saye, home of the Pitt family. He was advised on the purchase by the architect Benjamin Dean Wyatt who had once been his private secretary.[4] He originally planned to demolish the existing house, and replace it with a more prestigious home, to be known as Waterloo Palace. The Duke abandoned these plans in 1821 when they proved to be too expensive, and subsequently made numerous additions and improvements to the existing building. All but the 1st and 6th Dukes are buried at Stratfield Saye House. Wikipedia

Stratfield Saye House is a large stately home at Stratfield Saye in the north-east of the English county of Hampshire. It has been the home of the Dukes of Wellington since 1817.

 

Early history

The line of the Roman Road the Devil's Highway (Roman Britain) passes East to West just within the Northern boundary of the grounds of Stratfield Saye House [1]

 

The Manor of Stratfield Saye was created by the joining of two older manors. In the 12th century Stratfield was owned by the Stoteville family, and then early in the 13th century this passed by marriage to the Saye family.

 

Before 1370 the manor passed on again by marriage to the Dabridgecourts,[2] and in 1629 they sold the property to the Pitt family, cousins of the great father-and-son Prime Ministers.

 

The main part of the house was extensively enlarged around 1630 by Sir William Pitt, Comptroller of the Household to King James I. Sir William's eldest son, Edward Pitt (1592-1643), MP, of Steepleton Iwerne, Dorset, and later of Stratfield Saye, bought the estate for £4,800 in 1629.[3] Further extensive alterations were carried out to the house and park in the 18th century by George Pitt, 1st Baron Rivers.

 

Purchase by the state

 

The coachhouses and stable blocks at Stratfield Saye House.

The estate was purchased by the state in 1817, in order that it could be given by a grateful nation to the victorious Arthur Wellesley, 1st Duke of Wellington. The government gave £600,000 for the construction of a proposed "Waterloo Palace" to rival Blenheim Palace, home of the Dukes of Marlborough. The Hampshire site Wellington chose was the 5,000-acre (20 km2) estate of Stratfield Saye, home of the Pitt family. He was advised on the purchase by the architect Benjamin Dean Wyatt who had once been his private secretary.[4] He originally planned to demolish the existing house, and replace it with a more prestigious home, to be known as Waterloo Palace. The Duke abandoned these plans in 1821 when they proved to be too expensive, and subsequently made numerous additions and improvements to the existing building. All but the 1st and 6th Dukes are buried at Stratfield Saye House. Wikipedia

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I quite like looking up when wandering around London. Often, a nice upward angle can give a pleasing view of a well-photographed landmark.

 

I've finally returned from Hungary and there's no way I'm catching up with all your photographs! I've also been too knackered to process any new ones, so this one is from the archive! I'll hopefully get a Budapest / Veszprém photo up tonight, if I get the time and I don't fall asleep.

 

For those of you interested, the Pannonia Fesztivál was very good indeed, especially my favourite band who we went to see, the Pannonia Allstars Ska Orchestra. Irie Maffia also deserve a worthwhile mention.

 

This photo looks much cooler larger. (Press L)

 

No group images in comments please.

 

Details

Canon EOS 500D / ISO 200 / f/8.0 / 10-20mm @ 20mm

Rising with stately elegance just off Covent Garden, the Theatre Royal, Drury Lane is the oldest theatre site in London still in use — a stage steeped in royal charters, gaslight glamour, and over 350 years of dramatic history.

 

Originally opened in 1663 (with four rebuilds since), “Drury Lane” has long been synonymous with the very idea of theatre in Britain. The current building, designed by Benjamin Dean Wyatt, opened in 1812 and remains a masterclass in Regency architecture — from its pillared portico and generous proportions to its commanding corner presence.

 

A long-time favourite of the monarchy and theatregoers alike, it’s hosted everything from Shakespeare to Show Boat, Ivor Novello to My Fair Lady. Following a major £60m restoration led by Andrew Lloyd Webber’s LW Theatres, the theatre reopened in 2021 with enhanced accessibility, spectacular interiors, and a renewed sense of grandeur — complete with opulent bars, a royal circle salon, and chandeliers worthy of any curtain call.

 

Now playing: Hercules*. But this house has always had heroic status. *from 6/6/25

  

•••••••••••••••••••••••••••••••

 

S’élevant avec élégance à deux pas de Covent Garden, le Theatre Royal, Drury Lane est le plus ancien théâtre de Londres encore en activité — une scène chargée de chartes royales, de fastes à la lumière du gaz et de plus de 350 ans d’histoire théâtrale.

 

Inauguré en 1663 (et reconstruit à quatre reprises), « Drury Lane » incarne à lui seul la tradition théâtrale britannique. Le bâtiment actuel, conçu par Benjamin Dean Wyatt, date de 1812 et représente un chef-d’œuvre de l’architecture régence : portique à colonnes, proportions généreuses et présence majestueuse sur l’angle de rue.

 

Longtemps favori de la royauté et du public, il a accueilli aussi bien Shakespeare que Show Boat, Ivor Novello que My Fair Lady. Après une restauration ambitieuse de 60 millions de livres orchestrée par Andrew Lloyd Webber et son groupe LW Theatres, le théâtre a rouvert en 2021 avec des aménagements modernisés, une accessibilité exemplaire et un éclat retrouvé — salons opulents, bars élégants et lustres dignes d’un final en standing ovation.

 

À l’affiche aujourd’hui : Hercules. Mais ici, l’héroïsme est permanent.

 

Auckland Castle, also known as Auckland Palace, is a former bishop's palace located in the town of Bishop Auckland in County Durham, England. The castle was a residence of the bishops of Durham from approximately 1183 and was their primary residence between 1832 and 2012, when the castle and its contents were sold to the Auckland Castle Trust (now the Auckland Project). It is now a tourist attraction, but still houses the bishop's offices.

 

The castle is notable for its chapel, described as "one of the finest rooms in North East England" in the Buildings of England series, which was the medieval great hall until it was remodelled by Bishop John Cosin in 1661–65. The woodwork, which includes the pulpit, stalls, and screen, was commissioned by Cosin and combines Gothic and Baroque forms. The castle also contains twelve paintings depicting Jacob and His Twelve Sons by the Spanish painter Francisco de Zurbarán; the thirteenth portrait, Benjamin, is a copy, as the original hangs in Grimsthorpe Castle, Lincolnshire. Auckland Castle is a grade I listed building.

 

Auckland Castle occupies an area of flat ground between the River Gaunless and River Wear, south of their confluence. The town of Bishop Auckland abuts the castle to the west, and on the other three sides the land falls away steeply to the rivers. The castle was probably begun by Hugh de Puiset, who was bishop from 1153 to 1195, and completed in the first half of the thirteenth century. The present chapel survives from his building, where it served as the great hall.

 

A college for a dean and nine canons was established immediately west of the castle's enclosing wall by Bishop Booth in the fifteenth century.

 

In 1603 after the Union of the Crowns, Tobias Matthew invited Anne of Denmark, Prince Henry, and Princess Elizabeth to stay at Auckland on their journey from Scotland to London. After the disestablishment of the Church of England at the end of the First English Civil War in 1646, Auckland Castle was sold to Sir Arthur Haselrig, who demolished much of the medieval building, including the original two-storey chapel, and built a mansion. After the Restoration of the Monarchy, Bishop John Cosin in turn demolished Hazelrigg's mansion and rebuilt the castle, converting the banqueting hall into the chapel that stands today.

 

In 1756, Bishop Richard Trevor bought the notable set of paintings, Jacob and his twelve sons, by Francisco de Zurbarán which still hang in the Long Dining Room. It is possible that the seventeenth century paintings were intended for South America. However they never reached their supposed destination, eventually coming into the possession of James Mendez who sold twelve of the thirteen to Bishop Trevor in 1757.

 

Bishop Trevor was unable to secure the 13th portrait, Benjamin, which was sold separately to the Duke of Ancaster and hangs in Grimsthorpe Castle, Lincolnshire. Bishop Trevor commissioned Arthur Pond to produce a copy painting of "Benjamin". The copy, together with the 12 originals, hang in the castle's Long Dining Room, which Bishop Trevor had redesigned especially to take the pictures.

 

Shute Barrington, Bishop of Durham from 1791 to 1826, employed the eminent architect James Wyatt to match the disparate architecture of the palace in the late 18th century, including its Throne Room and Garden Screen. In 1832, when William van Mildert, the last bishop to rule the county palatine of Durham, gave over Durham Castle to found Durham University, Auckland Castle became the sole episcopal seat of the See of Durham.

 

In 2001 the Church Commissioners voted to sell the paintings, a decision that was revoked in 2011 following a donation of £15 million by investment manager and philanthropist Jonathan Ruffer; new arrangements placed the paintings, along with the castle, under the Auckland Castle Trust, making them available to the public after centuries during which they hung in a private home where they could be seen only by invited guests or by special arrangement with the Bishop's staff.

 

News reports in 2019 clarified the situation, stating that in 2012, Ruffer had purchased the castle and all of the contents, including the artwork, which included the works by Francisco de Zurbarán. The paintings, which had been on tour, were returned to the site in time for the re-opening of the castle to visitors on 2 November 2019 as the Auckland Project, after a multi-million pound restoration project, funded partly by the National Lottery.

 

By the time of the opening day, a new 115-foot (35 m) high tower had been erected as a visitor centre; the structure has a lift and a staircase as well as balconies for views of the castle from above. The interior had been fully restored, including the bishops' "palatial" quarters. According to one news item, "each of the 14 restored rooms, recreated from contemporary accounts and personal recollections" features the career of one former bishop. The Faith Museum of world religion and a huge glass greenhouse were under construction on Castle property.

 

Other attractions already operating at or near the Castle include the Mining Art Gallery (in a nearby former bank building) showing work mainly by self-taught or night school-educated miners; this attraction opened in 2017 (thanks to support provided to the Castle Trust by Bishop Auckland and Shildon AAP and Durham County Council); an open-air theatre, Kynren, depicting "An Epic Tale of England" with a cast of 1,000; and the Bishop Trevor Gallery at the Castle; the latter started displaying the National Gallery's Masterpiece touring exhibit in October 2019.

 

In October 2023, the Faith Museum opened to the public. Designed by Niall McLaughlin Architects, it covers 6000 years of British religious history, from the Neolithic period to 2000AD. It is housed in the Scotland Wing of the castle, as well as a new stone-built extension.

 

In May 2024, the 17th century walled gardens reopened, with a new glasshouse and faith garden. The Great Garden is set to open in 2025.

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Near the Strand in London. Was here to see Crazy For You at the Novello Theatre.

 

This is the Theatre Royal Drury Lane, currently home of Shrek the Musical.

 

All lit green at night for Shrek.

 

Grade I listed.

 

From Catherine Street.

 

Theatre Royal Drury Lane and Attached Sir Augustus Harris Memorial Drinking Fountain, Westminster

 

TQ 3080 NE CATHERINE STREET, WC2

60/18 & 73/1 Theatre Royal, Drury Lane

 

GV I

 

The address and description shall be amended to read:-

 

CATHERINE STREET, WC2

 

Theatre Royal, Drury Lane

and attached Sir Augustus

Harris Memorial Drinking Fountain

 

I

 

Theatre. Rebuild of 1811-12 by Benjamin Dean Wyatt with portico added

1820 and Russell Street colonnade in 1831 by Samuel Beazley; the

auditorium rebuilt 1921-22 by J. Emblin Walker, Jones and Crombie but

retaining Wyatt's reception rooms, foyer etc. Stuccoed facade, cast

iron colonnade to Russell Street with brick stucco dressed above and

stucco rear elevation to Drury Lane, slate roof. Restrained Grecian

detailing. 2 tall storeys on plinth. 5 window wide entrance front

(1:3:1). Centre 3 bays of ground floor screened by large austere

portico of coupled antae-piers with anthemion band to necks. 3

semicircular arched doorways to hall, recessed for one order in

shallow arcade and flanked by engaged circular pedestals supporting

cast iron lamps. The outer bays, with semicircular arched openings

on ground floor and eared architraved and corniced 1st floor windows,

have flanking giant pilasters carrying the deep entablature and

parapet. The 3 central 1st floor windows have eared architraves and

pediments. The cast iron colonnade to Russell Street has coupled

fluted ionic columns carrying entablature with wrought iron lamp

brackets suspended between each pair of columns. The interior is

unique amongst London theatres in retaining the surviving elements of

its original Wyatt interiors: Greek Doric vestibule, oculus-galleried

rotunda hall, elegant iron balustraded staircase ascending

symmetrically on either side to central 1st floor rotunda foyer with

corinthian column screens under coffered dome etc. the 1921-22

auditorium is Empire style, 3 tiers of 2-bay boxes and 3 balconies.

Elaborate and important installation of Asphaleia stage machinery etc.

 

Survey of London; Vol. XXXV

The Theatres of London; Mander and Mitchelson.

.

See also, an album of 2014 Perth Kilt Run pictures in Flickr: www.flickr.com/photos/ianhun/sets/72157645345849905/

 

.........................................................................................................

 

June 22, 2013, 6:12 p.m.

 

LIST OF RACE PARTICIPANTS (page 1 of 2)

 

The following runners and walkers participated in the 8 km Perth Kilt Run.

 

The bib numbers & names are listed by Ontario community (see the list below), then by other provinces, and international. The names are additionally sorted alphabetically by last name.

 

......................................................................................

In addition to this set of pictures in Flickr, see also each runner's official race photos. (Click and enter bib # or last name.)

......................................................................................

List of Runners and Walkers from:

A. Perth

B. Ottawa

C. Kanata

D. Carleton Place

E. Nepean

F. Smiths Falls

**For A through F, please SEE BELOW.

 

G. Other Communities in Ontario

H. Other Provinces

I. International

**For G, H, I, please CLICK HERE.

......................................................................................

.

Bib #........Name.....Age (by last name & community)

 

A. Residents of Perth, Ontario

 

16……Mary Catherine Allatt…..33

42……Trevor Ashby…..28

47……Angie Atkinson…..43

49……Spencer Atkinson-Smith…..12

58……Owen Baillon…..10

56……Anique Baillon…..14

59……Shannon Baillon…..46

57……Marc Baillon…..47

60……Fred Bain…..61

68……Catherine Ball…..38

67……Bruce Ball…..43

75……Sherry Baltzer…..58

87……Anne-Pascale Bartleman…..37

90……Connie Batoff…..55

109…..Sarah bell…..12

105…..Danielle Bell…..42

118…..laura bent…..37

176…..Sharon Bothwell…..49

183…..Patti Boyd…..57

190…..Sherry Brady…..53

206…..Joanne Brown…..49

231…..Sherry Burke…..42

252…..Logan Cameron…..20

267…..Desiree Card…..22

361…..Matt Copp…..11

359…..Karen Copp…..38

358…..Jeff Copp…..39

367…..Kirsten Cote…..39

374…..Mike Cowie…..18

373…..Benjamin Cowie…..21

376…..Rose Cowie…..48

375…..Paul Cowie…..50

377…..Steve Cowie…..53

379…..Julianne Cox…..20

380…..Rebecca Cox…..32

382…..Garry Crabtree…..60

384…..Audrey Crampton…..59

393…..Austin Crowe…..19

418…..Mark Czubak…..48

443…..Jeff Dean…..35

445…..Myrna DeCou…..60

447…..Karen Deme…..50

453…..Tamara Derkzen…..44

458…..Donald Desormeaux…..46

480…..Dustin Dobbie…..28

482…..Bryce Dodds…..12

485…..Deborah Dodds…..47

487…..Nancy Dodds…..52

1311….Glenn Drover…..78

536…..Leanne Dyer…..46

541…..Lee-Ann Dyke…..37

542…..Rob Dyke…..43

561…..Arthur Ellis…..46

587…..Graeme Fenwick…..54

596…..Randy Ferrier…..40

604…..Martina Flanagan…..59

610…..Conlan Flynn…..20

620…..Janet Foster…..37

622…..Barb Fournier…..49

306…..Rolf Friis…..49

635…..Don Frizell…..50

2077….William Froggatt…..13

28……Christopher Froggatt…..44

639…..Asia Fuoco…..16

640…..John Fuoco…..49

658…..Niki Gaudreau…..39

2086….Nancy Gaudreau…..55

2091….Louis Gaudreau…..57

660…..Stephanie Gauthier…..42

666…..John Gemmell…..64

679…..John Gill…..70

686…..Alec Gioux…..11

687…..Julie Girdwood…..50

688…..Darcy Giroux…..10

690…..Nolan Giroux…..13

689…..Dave Giroux…..50

697…..Ryan Gomes…..58

707…..Pamela Gordon…..29

711…..Alexa Graham…..17

722…..Kurt Greaves…..45

739…..Jacob Greer…..13

738…..Brooke Greer…..22

742…..Trisha Greer…..23

741…..Randall Greer…..26

740…..Patti Greer…..46

737…..Bill Greer…..54

804…..Tosh Hayashi…..68

838…..Geoff Hodgins…..50

854…..Evelyn Holmes…..27

873…..Brenda Hutchinson…..54

877…..Anna Imeson…..11

880…..Pete Imeson…..45

893…..Joanne Jack…..58

901…..Rita Jackson…..58

904…..Cathy James…..31

905…..Kelly James…..31

906…..Toby James…..32

913…..Zoe Jervis…..39

926…..Philip Jones…..50

930…..Victoria Jones…..53

956…..Dave Kerr…..57

965…..Matthew Kimball…..14

967…..Rebecca King…..36

977…..Lola Kirkham…..8

976…..Dawn Kirkham…..36

975…..Dan Kirkham…..39

978…..Brenda Kirkwood…..57

1012….Laurie Latham…..38

1021….Matthew Leaver…..9

1022….Patrick Leaver…..9

1020….Angie Leaver…..38

1028….Sheila Lee…..47

1025….Regan Lee…..49

1053….Adam Lewis…..27

1055….Maureen Lewis…..57

1059….Janice Ling…..47

1067….Roy Loeffler…..44

1101….Andrew Machan…..10

1102….David Machan…..12

1103….Grant Machan…..42

1140….Will Mahon…..22

1138….Linda Mahon…..54

1171….Corbett Marsh…..10

1173….Lynn Marsh…..41

1183….Justin Matheson…..22

1184….Ivan Matte…..58

1190….Joanna McAuley…..53

1197….Stefanie McCann…..22

1235….Frank McGlynn…..63

1239….Deb McGuire…..44

1245….Lynn McIntyre…..55

1250….Dylan McKay…..9

1253….Vanessa McKay…..36

1252….Ron McKay…..42

915…..John McLean…..19

1276….Matt McLean…..32

1273….Donald McLean…..35

1277….Tracy McLean…..47

1282….Lori McMunn…..46

1285….Beth McNally…..39

1289….Cara McNamee…..39

1290….Matthew McNames…..11

1301….Kent McPherson…..22

1302….Kim McPherson…..52

1300….Ed McPherson…..53

1317….Barbie Merrow…..41

1328….Jonathan Miller…..11

1330….Lauren Miller…..12

1335….Brad Mills…..56

1342….Tracy Mitchell…..39

1340….Ed Mitchell…..46

1347….Jacob Monaghan…..12

1346….Brandon Monaghan…..15

1351….Glen Moore…..64

1360….Julie Morrison…..20

1362….Tammy Morrison…..50

1359….Andy Morrison…..52

1369….Karen Mowbray…..45

1370….Siobhon Muldowney…..46

1383….Tyler Murphy…..14

1387….Jeff Nault…..63

1399….Lana Nolan…..45

1415….Derek Oliver…..16

1418….Nathan O'Neill…..33

1419….Torie O'Neill…..33

1421….Carol Onion…..51

1427….Suzanne O'Shea…..29

1434….Ethan Paisley…..12

1433….Eldon Paisley…..44

1440….Calum Pamenter…..9

1442….Melissa Paolin…..37

1455….Brent Patterson…..31

1461….Michael Payne…..62

1462….Tanya Peden…..33

1463….Trent Peden…..35

1471….Lise Peskett…..70

1469….Bob Peskett…..73

1487….Allison Playfair…..33

1498….Rick Potoma…..29

1502….Joan Pratt…..35

1516….Brian Rauwerda…..35

1522….David Reesor…..68

1553….Barry Robb…..47

1590….Jordan Routhier…..11

1611….Lorraine Ryan…..45

1608….Christopher Ryan…..51

1628….Michael Saumur…..15

1627….Dean Saumur…..44

1636….Nolan Saunders…..13

1633….Lexi Saunders…..15

1635….Logan Saunders…..17

1634….Lisa Saunders…..43

1629….Brian Saunders…..48

1640….Anthony Scattolon…..15

1642….Marco Scattolon…..15

1643….Sharon Scattolon…..50

1655….Stefan Schilke…..16

1654….Amy Schilke…..38

1670….Evelyn Scott…..19

1671….Gillian Scott…..23

1673….Steve Scott…..55

1723….Frazer Smith…..42

1736….Peter Snider…..20

1739….Tommy Somerville…..18

1748….Kim Spence…..64

1753….Jaimi Sprunt…..25

1754….David Sprunt…..27

1789….Tia Stewart…..15

1777….Anna Stewart…..19

552…..Thor Stewart…..21

1783….Jenny Stewart…..31

1398….Pete Stone Cellar…..49

1799….Cheryl Straby…..53

1800….Scott Strachan…..43

1810….Lilli Strong…..14

1811….Nick Strong…..18

1829….Nancy Sweetnam…..39

1831….Kara Symbolic…..51

1832….Alyson Symon…..49

1871….Olivia Thomson…..11

1890….Martin Treffers…..65

1907….Jonathan Tysick…..16

1906….Jim Tysick…..51

1912….Lynne Underhill…..52

1913….Jillian Uniacke…..11

1914….Sandra Uniacke…..39

1915….Greg Upham-Mills…..23

1918….Bob Vallieres…..53

1940….Wendy Wagland…..65

1941….Leigh Wahay…..41

1972….Julie Watson…..43

1983….Joanna Werner…..24

1996….Laura Wheeler…..40

2002….Paige Whiting…..43

2007….Gwen Wilkinson…..49

2012….Shelley Williams…..48

2032….Laurie Winter…..58

2033….Deborah Wise…..35

2034….Rudy Witlox…..54

2039….Rebecca Worden…..40

2043….Rhonda Wright…..40

2046….Jessie Wynn…..28

2051….Dave Young…..48

  

B. Residents of Ottawa, Ontario

 

5…….Nicole Adani…..54

12……Kiernan Alexander…..12

14……Tamra Alexander…..45

9…….John Alexander…..46

24……Ian Andrew…..75

30……Nikolina Antonacopoulos…..30

41……Michael Arts…..52

48……Darah Atkinson…..37

54……Gloria Baeza…..37

55……Janice Bailey…..53

64……Janna Balkwill…..19

65……Patricia Balkwill…..51

79……Patricia Baratta…..30

86……Cassandra Bartle…..41

89……Allison Batoff…..26

94……Johnathan Beaman…..16

93……David Beaman…..50

95……Erin Beasley…..34

101…..Linda Beehler…..54

104…..Rod Begg…..52

117…..Tanya Bennett…..38

131…..Tom Bigelow…..27

129…..Heather Bigelow…..51

130…..Mike Bigelow…..54

133…..Rosalind Bihun…..19

132…..Craig Bihun…..49

145…..Amy Blais…..31

165…..Terri Bolster…..62

170…..Taylor Bond…..17

167…..Brianne Bond…..22

169…..Richard Bond…..54

168…..Diana Bond…..55

178…..Shelley Boudreau…..44

189…..Tegan Bradshaw…..26

192…..John Brennan…..63

193…..Catherine Brian…..46

208…..Katie Brown…..28

202…..Carole Brown…..41

204…..Frank Brown…..65

213…..Alain Brûlé…..41

221…..Dennis Bulman…..54

222…..Helen Burgan…..47

237…..Theresa Burns…..38

246…..Viola Caissy…..65

249…..Lisa Calloway…..50

250…..Brian Cameron…..61

261…..Lynn Campbell…..63

269…..Susan Carlton…..57

279…..Anna Carsley-Jones…..9

292…..Jenifer Cepella…..50

293…..Robert Cepella…..55

296…..Mike Champagne…..51

299…..Jonathan Charbonneau…..40

301…..Greta Chase…..61

305…..Sharon Chisholm…..42

307…..Carolyn Chodura…..49

309…..Raymond Chodura…..55

310…..May Chow…..55

318…..Darren Clark…..52

317…..Beth Clark…..54

338…..Lia Codrington…..16

348…..Alice Comeau-Butler…..47

350…..David Conn…..67

362…..Monique Cordukes…..52

366…..Vince Cossette…..24

371…..Diane Coulterman…..56

385…..Colleen Crane…..44

397…..Peter Cruickshank…..64

406…..Gail Cummings…..58

421…..Carol Daigle…..42

426…..René Danis…..60

438…..Natalie Day…..12

439…..Owen Day…..14

435…..Mickey Day…..18

433…..Ellen Day…..46

446…..Geoffrey Delage…..32

449…..Leo Denault…..21

452…..Kawal Deogun…..50

456…..Denise Deschenes…..28

457…..Ginette Deslauriers…..37

474…..Jason Dion…..25

475…..Nathalie Dion…..34

489…..Corinne Doherty…..34

501…..Shelley Dougan…..41

503…..Lisa Douglas-Gagnon…..39

507…..Emily Dowell…..30

518…..Donna Dufour…..52

519…..Roger Dufour…..53

520…..Jennifer Duhamel…..28

525…..Julie Dunbar…..61

526…..Barbara Dundas…..42

544…..Jessica Eamer…..28

550…..Lauren Eckenswiller…..11

549…..Catherine Eckenswiller…..48

553…..Christopher Egener…..10

554…..Nathan Egener…..15

555…..Peter Egener…..48

556…..Valerie Egener…..49

569…..Kim Ennis…..50

570…..Mark Espenant…..52

577…..David Fanjoy…..57

578…..Costas Farassoglou…..33

579…..Savvas Farassoglou…..33

582…..John Farrell…..54

583…..Jonathan Favre…..28

589…..Jan Fequet…..47

601…..Ian Fischer…..33

623…..Tina Fowler…..31

624…..Gloria Fox…..53

625…..Felix Franceschina…..40

627…..Sue Franklin…..49

631…..Jason Fraser…..41

632…..Paula Fraser…..48

638…..Zoe Frouin…..54

641…..Cynthia Furney…..50

668…..Christine Geraghty…..35

667…..Chad Geraghty…..37

670…..Karen Gerrior…..45

671…..Roberto Ghignone…..30

672…..Robert Gibb…..62

673…..Victoria Gibb-Carsley…..48

694…..Cathy Gloade…..37

696…..Kristin Goff…..66

698…..Simon Good…..58

699…..Scott Goodridge…..41

700…..Sue Goodridge…..41

701…..Jennifer Goods…..37

705…..Davina Gordon…..30

706…..Heather Gordon…..41

713…..Natalie Graham…..38

715…..Samantha Graitson…..22

716…..Elizabeth Grant…..52

727…..Nancy C Green…..47

728…..Peter Green…..58

725…..Lacey Green…..60

745…..Laura Griffin…..37

748…..Ian Grimwood…..36

752…..Dick Gunstone…..50

756…..Jonathan Hache…..44

757…..Mimi Hadi-Kho…..57

777…..Carla Harding…..40

786…..Laura Harris…..11

785…..Jennifer Harris…..41

789…..Cathy Harrison…..56

830…..Joleen Hind…..39

846…..Ron Hoffe…..52

847…..Jennifer Hogan…..28

855…..Lesley Holmes…..46

857…..Jenn Hood…..41

860…..Suzanne Hotson…..54

2108….Mitch Hubert…..16

865…..Laurie Hunt…..42

871…..Wael Hussein…..39

875…..Thanh Nha Huynh…..28

886…..Celeste Irvine-Jones…..56

895…..Bruce Jackson…..44

914…..Rebecca Jesseman…..34

925…..Melanie Jones…..15

920…..Byron Jones…..17

921…..Conor Jones…..21

933…..Darlene Joyce…..46

934…..Garrie Joyce…..66

940…..Asaf Karpel…..36

942…..Lesley Kathnelson…..44

943…..Connie Kealey…..31

944…..John Kealey…..33

949…..Tammy Elizabeth Kendrew…..40

959…..Lilianne Kho…..14

961…..Shannon Kier…..35

966…..Sam Kinahan…..15

973…..David Kirk…..63

2102….Mackenzie Kitchen…..11

982…..Phillip Kohnen…..54

985…..Christine Kou…..51

991…..Andrea Lachance…..34

997…..Katrine Lake…..34

1000….Patrick Lalonde…..10

999…..Jennifer Lalonde…..39

998…..Jean-Francois Lalonde…..44

1004….Philip Lamont…..48

1010….Marc Langlois…..46

1011….Cassandra Larose…..27

1014….Tonie Lavictoire…..28

1015….Paul Lawless…..49

1026….Robert Lee…..15

1029….David Leeder…..47

1031….Kathleen Legassick…..20

1030….Julia Legassick…..24

1032….Mary Jane Legassick…..58

1034….Stephen Legassick…..58

1038….John Lemay…..52

1039….Joanne Lennon…..44

1041….Duane Leon…..45

1045….Rosemary Leslie…..47

1054….Heather Lewis…..51

1056….Thiago Lima…..27

1061….Julian Little…..55

1066….Michelle Locke…..29

1075….Robyn Loughrey…..47

1076….Gavin Lumsden…..47

1078….James Lunney…..61

1079….Ron Lyen…..41

1080….Michael Lynch…..53

1091….Holly Macdonald…..14

1093….Simon Macdonald…..49

1089….Anne MacDonald…..52

1094….F.Deborah MacDonald-McGee…..60

1104….Jennifer Machum…..37

1117….Tara Mackenzie…..40

1118….Sue Mackey…..49

1122….Elizabeth MacLean…..31

1123….Heidi MacLean…..65

1121….Don MacLean…..67

1136….Alexander MacNeish…..45

1147….Marybeth Makhoul…..45

1151….Rosa Mangone…..47

1152….Sylvia Manning…..54

1155….Donna Manweiler…..54

1159….Julien Marcadier…..34

1158….Janet Marcadier…..35

1161….Lloyd Marchand…..50

1160….Jill Marchand…..55

1162….Paul Marchand…..59

1163….Dave Marcotte…..55

1166….Ricardo Marius…..46

1165….Andree Marius…..48

1181….Ann Martineau…..60

1191….Michael McAuley…..46

1196….Kelly McCann…..50

1205….Mike McCluskie…..48

1208….Wendy McCutcheon…..60

1225….Ken McFarlane…..59

1229….Bob McGillivray…..53

1234….Michael McGlade…..43

1233….Kerri McGlade…..46

1249….Allan McKay…..30

1266….Jamie McKenzie…..38

1272….Carol McLean…..47

1281….Sharon McMillan…..56

1283….Helen McNair…..54

1284….Ken McNair…..55

1287….Anne McNamara…..50

1288….KP McNamara…..53

1115….Celine Melanson…..41

1312….Hilary Mellor…..52

1316….Margaret Meroni…..46

1337….Marianne Miranda…..28

1344….Amira Mohamed…..34

1348….Sayward Montague…..30

1353….Jennifer Moores…..33

1358….Shelley Ann Morris…..51

1365….Jeff Morrow…..29

1364….David Morrow…..57

1386….Penny Napke…..62

1391….Nancy Neilson…..45

1436….Glen Paling…..54

1438….Gail Palmer…..59

1443….Claude Papineau…..44

1468….David Perry…..36

1479….Helen Pethick…..52

1483….John Piche…..42

1488….Felice Pleet…..53

1489….Jeffrey Pleet…..57

1499….Claire Poulin-Sloan…..42

1503….Jordan Prentice…..16

1504….Mary Jean Price…..64

1505….Michael Price…..65

1507….Angela Quinlan…..66

1510….Ted Rabbets…..41

1511….Louise Rachlis…..66

1512….Leah Raftis…..28

1513….Karen Ramsay…..45

1514….Fabio Ranallo…..46

1523….Eva Rehder…..30

1524….Calvin Reid…..24

1528….Sheila Reid…..62

1529….Shannon Renaud…..48

1530….Reid Reynolds…..8

1543….Steven Riff…..41

1544….Patrick Riley…..53

1545….Jocelyne Riopelle…..41

1546….Deb Riordon-Bean…..42

1547….Kelly Ripley…..34

1550….Joanne Ritchie…..49

1558….Barbara Robertson…..51

1560….Judy Robertson…..53

1565….Trish Roche…..58

1569….Anastasia Rodgers…..39

1571….Carla Rogers…..30

1573….Angela Romany…..63

1575….Breann Ronquist…..28

1576….Don Rooke…..52

1578….Charles Ross…..15

1580….Larry Ross…..49

1584….Duncan Rothery…..50

1587….Kate Rothwell…..26

1585….Doug Rothwell…..66

1589….Mark Roundell…..55

1588….Deb Roundell…..56

1607….Claudia Rutherford…..37

1609….Ida Ryan…..50

1613….Darlene Sabourin…..47

1619….Julia Sandquist…..56

1631….Clara Saunders…..9

1630….Carter Saunders…..11

1632….Elaine Saunders…..29

1637….Todd Saunders…..42

1653….Catherine Schijns…..34

1657….Chris Schmitt…..50

1658….Vicki Schmitt…..54

1660….Jane Schofield…..61

1681….Erica See…..36

1688….Thomas Seymour…..19

1687….Scott Seymour…..21

1684….Lissa Seymour…..51

1686….Richard Seymour…..55

1691….Erin Shaheen…..44

1693….Anna Shannette…..66

1700….Chris Sheridan…..43

1702….David Sherrard…..57

1703….Heather Sherrard…..58

1708….Terry-Lynn Sigouin…..51

1709….Dave Silvester…..52

1713….Suzanne Sinnamon…..36

1719….Kelly Slumkoski…..32

1721….Alexander Smith…..24

1733….Rob Smith…..45

1726….Joe Smith…..48

1725….Joan Smith…..51

1724….Jane Smith…..54

1742….Diane Speakman…..56

1755….Caryn St Amand…..53

1757….Krysta St.Amand…..27

1761….Amanda Stamplecoskie…..30

1762….Sean Stanley…..35

1763….Dan St-Arnaud…..48

1769….Karin Stenman…..49

110…..Jamie Stephenson…..40

1771….Jeffrey Stevens…..12

1772….Myriam Stevens…..14

1773….Willem Stevens…..45

1774….Tom Stevenson…..51

1790….Tanja Stockmann…..43

1816….Justin Sugawara…..39

1826….Kevin Swan…..37

1846….Deborah Taymun…..48

1854….Graham Thatcher…..38

1862….Edmund Thomas…..56

1867….Al Thompson…..58

1869….Brenda Thomson…..50

1870….Janet Thomson…..56

1875….Andrew Thorp…..36

1880….Andrew Tomilson…..49

1896….Edith Troup…..51

1902….Sandra Turgeon…..53

1909….Hazel Ullyatt…..55

1921….Roxy Vandenbeek…..21

1922….Brent Vandermeer…..35

1925….James Vannier…..36

1932….Lucie Villeneuve…..54

1934….Pat Voight…..68

1933….Howard Voight…..70

1937….Natalia Vyrstyuk…..25

1938….Leanne Waddell…..36

1948….Kent Wallace…..55

1952….Jim Walsh…..64

1954….Joss Walsworth…..62

1959….Leonard Ward…..57

1963….Julie Wardell…..26

1976….Jason Webber…..34

1994….Patrick Westdal…..9

1992….Aidan Westdal…..11

2000….Natalie White…..12

1998….Jennifer White…..16

1997….Andi White…..34

1999….Melanie White…..48

2026….Josh Wiltshire…..25

2027….Ron Wiltshire…..57

2029….Matthew Windeler…..22

2040….Nancy Worsfold…..51

2044….Sharon M. Wright…..63

2048….Dave Yaeger…..60

2049….Lily Yip…..52

2055….Nancy Young…..31

2053….Ian Young…..60

 

C. Residents of Kanata, Ontario

 

7…….Keith Aguinaga…..41

18……Marlene Alt…..55

82……Mary Barker-Whyte…..52

91……Chris Baylis…..32

92……Jasmine Baylis…..33

98……Courtney Beaulne…..25

120…..Marty Berezny…..49

147…..Amanda Blanchard…..32

174…..chantal Bornais…..42

182…..Don Boyd…..73

191…..John Brennan…..46

196…..Susan Brimmell…..63

230…..Sharon Burke…..44

245…..Ross Caird…..44

282…..Sheri Cashman…..42

295…..Steve Chadwick…..57

297…..Jason Chandler…..33

302…..Shannon Cheney…..39

324…..Shannon Clarke…..34

389…..Sarah Croisier…..12

386…..Heather Croisier…..14

387…..Jennifer Croisier…..42

420…..Olivier Dagenais…..34

427…..Carmen Davidson…..54

430…..Laurie Davis…..51

470…..Kathy Dillon…..53

491…..Jan Donak…..54

492…..John Donak…..56

521…..Miranda Dulmage…..29

565…..Ann Empey…..55

575…..Lauren Eyre…..57

611…..Vincent Andy Fong…..50

616…..Pamela Ford…..42

614…..Eleanor Ford…..69

615…..Geoffrey Ford…..73

630…..Emma Fraser…..17

656…..Mike Garwood…..51

664…..Cameron Gelowitz…..10

665…..Jody Gelowitz…..37

677…..Neil Gilchrist…..20

678…..Scott Gilchrist…..22

676…..Colleen Gilchrist…..53

675…..Bill Gilchrist…..54

702…..Marlene Goods…..60

729…..Sarah Green…..47

776…..Chris Harber…..64

802…..Jeff Hawn…..43

824…..Sharon Hiebert…..36

827…..Jason Hillier…..30

850…..Rebecca Holland…..16

849…..Brad Holland…..45

856…..Sue Holtom…..55

909…..Dona Jeffs…..70

910…..Peter Jeffs…..72

964…..Colleen Kilty…..64

1003….Jerome Lambourne…..41

1052….Cheryl Levi…..52

1086….Olivia MacAskill…..12

1083….Katie MacAskill…..14

1084….Ken MacAskill…..43

1085….Kim MacAskill…..44

1132….John MacMaster…..49

1133….Liz MacMaster…..50

1139….Trevor Mahon…..36

1137….Deborah Mahon…..60

1154….Kim Manson…..45

1170….Ian Marrs…..53

1187….Jan Mattingly…..58

1200….Christine McCartney…..39

1199….Alastair McCartney…..48

1242….Kelly Mcinnes…..30

1271….Adrienne McLean…..45

1275….Jim McLean…..45

1304….Josh McRae…..28

1339….Justin Mirault…..31

1338….Jessi Mirault…..32

1392….Shelly Nesbitt…..44

1393….Vicky Neufeld Barnes…..39

1408….Beatrice OConnell…..67

1409….Robert O'Connell…..70

1410….Darcie O'Connor…..37

1485….Gail Pindar…..43

1539….Brett Riddiford…..15

1541….Natasha Riddiford…..43

1601….Cate Rushforth…..45

1614….Lori Salfi…..53

1615….Peter Salfi…..54

1650….Gord Scharf…..45

1648….Jacquie Scharf…..47

1680….Cindy Seaman…..54

1679….Billy Seaman…..59

1683….Pieter Selst…..59

1712….Lori Simpson…..45

1715….David Sloan…..44

1743….Melissa Speakman…..23

1765….Arlene Steadman…..64

1784….Karen Stewart…..32

1778….Ben Stewart…..35

1786….Peter Stewart…..69

1866….Michael Thomas…..40

2084….Brenda Tirrell…..54

1885….Christina Towers…..46

1899….Janice Tughan…..62

1900….Philip Tughan…..62

1911….Lanny Underhill…..50

1910….Gisele Underhill…..54

1970….Jane Waterfall…..61

1995….Barbara Whalen…..51

2063….Geoff Zerr…..46

 

D. Residents of Carleton Place, Ont.

 

50……Alexandre Audet…..33

210…..Andrew Brown-Smith…..9

211…..Kirsten Brown-Smith…..34

218…..Kendra Buchanan…..20

217…..Elysia Buchanan…..21

216…..Carolyne Buchanan…..48

220…..Wilma Buiting…..44

263…..Sydney Campbell…..12

266…..Todd Campbell…..42

257…..Bruce Campbell…..55

281…..Anne-Marie Carter-McAuslan…..57

322…..Shannon Clark…..36

448…..Jessica Demers…..31

454…..Danielle Derrick…..19

455…..Jim Derrick…..52

517…..Teresa DuBois…..31

527…..Scott Dunlop…..44

529…..Sade Dunn…..24

530…..Suzanne Dunnill…..54

531…..Lise Dupont…..49

558…..Melissa Eirich…..37

637…..Kevin Frost…..55

709…..Isabelle Goulet…..36

799…..David Hauraney…..59

848…..Amy Holland…..42

851…..Beth Hollihan…..40

889…..Henry Irwin…..15

887…..Bridget Irwin…..19

891…..Olivia Irwin…..21

890…..Jennifer Irwin…..47

892…..Peter Irwin…..50

928…..Tom Jones…..46

922…..Jane Jones…..50

986…..Cara Kropp…..43

1099….Colin MacDuff…..51

1119….Bonnie MacLean…..52

1179….Rod Martin…..52

1188….Suzanne Mayrand…..63

1262….Thomas McKenna…..57

1269….Colin McLaughlin…..15

1270….Mia McLaughlin…..46

1315….Jake Merkley…..12

1314….Ed Merkley…..43

1388….Peter Neathway…..18

1556….Leighanne Roberts…..50

1572….Jocelyn Rogers…..18

1586….Janee Rothwell…..40

1594….Jacqueline Rowley…..17

1659….KC Schnaufer…..49

1666….Scout Schooley…..15

1662….Jacob Schooley…..17

1674….Steven Scott…..37

1672….Laura Scott…..38

1678….Lydia Seaby…..39

1677….Jeff Seaby…..40

1690….Monica Shade…..24

1857….Lee Thirlwall…..66

1887….Suzann Townend…..55

1924….Mary-Lou Vandervaart…..44

1943….Caroline Jill Walker…..48

 

E. Residents of Nepean, Ont.

 

122…..Lynn Berndt-Weis…..37

124…..Barbara Berry…..48

127…..Karen Beutel…..43

137…..Colleen Bird…..47

155…..Gerry Blathwayt…..57

162…..Madeleine Blythe…..12

166…..Helen Bolt…..51

195…..Kimberley Brigden…..57

194…..John Brigden…..58

205…..Jennifer Brown…..10

203…..Elizabeth Brown…..51

234…..Mary Burney…..46

311…..Mike Christie…..55

339…..Julia Coe…..53

370…..Jessica Coulas…..29

437…..Mike Day…..78

543…..Sue Dzioba…..52

559…..Michael Eisen…..53

563…..Joseph Emas…..58

586…..Sarah Fellner…..53

585…..Mark Fellner…..61

591…..Elizabeth Ferguson…..12

592…..John Ferguson…..41

594…..Trish Ferguson…..41

654…..Dan Garvey…..50

765…..Andre Hamer…..9

766…..Michael Hamer…..12

767…..Patrick Hamer…..13

768…..Rosalie Hamer…..50

771…..Barrie Hammond…..66

822…..Jane Hext…..43

826…..Lyndsey Hill…..33

825…..Irvin Hill…..54

916…..Jim Johnston…..65

946…..Brooke Kelford…..28

970…..Jacqueline Kinloch…..48

990…..Dan Lacasse…..47

1033….Matthew Legassick…..27

1096….Nicholas Macdonell…..39

1097….Sheryl Macdonell…..40

1125….Mike MacLean…..37

1189….Marlene McAfee…..52

1259….Dan McKenna…..53

2107….Josh Measures…..16

1322….Lawrence Michaelessi…..53

1425….Rick O'Shaughnessy…..51

1482….Shreedat Phulesar…..37

1548….Marlene Louise Rippey Jones…..59

1600….Alan Rushforth…..81

1689….Marlene Shade…..50

1776….Aliyah Stewart…..11

1782….Jake Stewart…..11

1818….Nevan Sullivan…..25

1820….David Summerbell…..49

1835….Cathy Takahashi…..53

1859….Brennan Thomas…..17

1861….Cameron Thomas…..17

1860….Cairine Thomas…..49

1864….Gary Thomas…..50

1879….Nathan Toft…..41

1929….Yarrow VIets…..31

 

F. Residents of Smiths Falls, Ont.

 

100…..Janice Beechey…..35

123…..Steve Bernique…..42

125…..Kim Berry…..54

200…..Rhonda Brooks…..53

215…..Breanne Buchanan…..29

255…..Andrew Campbell…..18

258…..Glen Campbell…..50

275…..Emma Carroll…..7

277…..Spencer Carroll…..10

274…..Abigael Carroll…..11

276…..Lisa Carroll…..43

298…..Paul Chapman…..48

316…..Tracey Clarey…..31

469…..Liam Dickson…..13

468…..Hannah Dickson…..16

467…..Bill Dickson…..47

498…..Debra Donovan…..54

537…..Ashley Dyke…..10

539…..Jordan Dyke…..12

540…..Karen Dyke…..42

538…..Jim Dyke…..45

576…..Gord Fairbourn…..51

691…..Fritz Glaeser…..50

692…..Patty Glaeser…..53

719…..Isabelle Graveline…..53

773…..Lori Hanna…..43

807…..Brock Heilman…..40

819…..Keira Hewson…..15

820…..Linda Hewson…..48

818…..Greg Hewson…..50

870…..pat hunter…..51

984…..MacKoluk K Koluk…..50

983…..MacKoluk Koluk…..51

1046….Lyza Lesnick…..33

1058….Natalie Lindsay…..39

1175….Jim Marshall…..71

1176….Gareth Martin…..13

1212….Jennifer McDonald…..34

1210….Craig McDonald…..37

1350….Caleb Moore…..9

1352….Kimberly Moore…..42

1355….Max Morin…..18

1372….Ben Mulrooney…..23

1373….Bob Mulrooney…..51

1374….Tammy Mulrooney…..52

1378….Anne Murdoch…..9

1379….Charlie Murdoch…..10

1381….France Murdoch…..37

1380….Eric Murdoch…..42

1551….Nick Ritchie…..34

1626….Rick Sauder…..61

1817….Angie Sullivan…..35

1916….Lynn Vaillant…..32

1969….Peggy Warrington…..51

1991….Wyatt West…..9

1984….Annie West…..16

1990….Sam West…..17

1985….Logan West…..20

1987….Margaret West…..45

1989….Paul West…..48

2003….Karen Whitney…..58

  

.

023

Theatre Royal Drury Lane Panorama. The TRDL is one of London's largest theatres with 2,237 seats spread over four levels. The auditorium was replaced in 1924 to the design of Emblin Walker, Edward Jones & Robert Cromie and is grade 1 listed. Now part of Really Useful Theatres and the home of long running musicals.

 

Drury Lane Theatre Royal, West End, London.

February 2014

The Chapel of Our Lady of Pew in Westminster Abbey, off the north ambulatory, was originally a self-contained 14th-century rectangular recessed chapel, but it now forms part of the entrance to the Chapel of St John the Baptist. The term 'Pew' refers to a small enclosure or chapel.

Sister Concordia Scott OSB, of Minster Abbey near Ramsgate in Kent, sculpted the fine alabaster statue of the Virgin and Child in the niche of the Chapel of Our Lady of Pew. It took 14 months to complete and was placed in the chapel on 10th May 1971.

The original statue here had disappeared centuries ago. The design of the 20th-century piece was inspired by a 15th-century English alabaster Madonna at Westminster Cathedral.

[Westminster Abbey]

 

Taken inside Westminster Abbey

 

Westminster Abbey (The Collegiate Church of St Peter)

In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.

The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.

Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.

Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.

It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.

There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.

A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.

Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.

Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.

History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.

But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.

[Westminster Abbey]

Rear Admiral Charles Holmes. This shows the admiral in Roman armour (one of the last monuments in the church to depict an English seaman in this way) leaning against a large cannon mounted on a sea-carriage. Behind are naval trophies including an anchor and coiled rope and a flag...The sculptor was Joseph Wilton. Some of the marble surround was taken away in the late 19th century. The inscription reads:

To the memory of Charles Holmes Esqr. Rear Admiral of the White. He died the XXI of November MDCCLXI, Commander in Chief of His Majesty's fleet statione'd at Jamaica, aged L.Erected by his gratefull neeces Mary Stanwix and Lucretia Sowle.

His coat of arms were formerly painted on the pyramid, showing the arms of Holmes and Keate.

He was a son of Henry Holmes, governor of the Isle of Wight, and his wife Mary (illegitimate daughter of Admiral Sir Robert Holmes). He was baptised at Yarmouth and later served in the navy in the Mediterranean and the West Indies and cruised against the Spanish privateers. Later he served on the North American station. After his promotion to rear-admiral he served under Sir Charles Saunders in the expedition to capture Quebec in 1760. He died 21st November 1761 in Jamaica, aged 50, and is buried at St Andrew's church in Kingston.

[Westminster Abbey]

 

Taken inside Westminster Abbey

 

Westminster Abbey (The Collegiate Church of St Peter)

In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.

The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.

Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.

Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.

It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.

There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.

A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.

Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.

Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.

History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.

But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.

[Westminster Abbey]

Theatre Royal, Drury Lane; London. A suitably warped view for the current production of the boxes, front stalls, safety curtain and false proscenium (installed for "Charlie and the Chocolate Factory"). The auditorium was replaced in 1924, but much of the rest of the theatre is Georgian.

 

www.reallyusefultheatres.co.uk/our-theatres/theatre-royal

 

Drury Lane Theatre Royal, West End, London.

February 2014

2010

MM 007125.01

 

Format: digital photograph

Photographer: National Photography

 

Seventh Row (Back): Claire Sutterby, Candy Liddy, Georgina Venn, Martha Dwyer, James S Evans, Cheok Lee, James A Evans, Hamish Stein, Evan Tan, Dre Vorst-Hopkins, Tim Newton, Mitchell Ward, Elliott Bannan, Sam Hookway, Angus Hope, Adam Steel, Edward Walford, Sean Hewetson, Allen Roberts, Julian Dascalu, Jared Dyson, Kane van Diermen, Morgan Hepburn-Brown, Duncan Austin, Julia Stretch, ANgus Cameron, Claire James

 

Sixth Row: Caroline McBride, Milly Young, Sara Sharpe, Robert Dunphy, Sen Sobel, Chris Drok, Jackson Clarke, Lucas Brandao de Oliveira, Craig Battams, Philip Theron, John Ford, Simon Sealey, Robert Graham, Will Fleming, Justin Tonti-Filippini, Sean Hardy, Jamie Dawkins, Daniel Loudon, Maddie Hodge, Jason Hughes, Chris Wood, William Payne, Julian Breheny, Jordan Smith, Juliet Israel, Nic Slattery, Calum Alexander, Natasha Robbins

 

Fifth Row: Holly Stanfield, Wai Hoe Choong, Rocky Liang, Felicity Martin, William Ross, Daniel Cavanagh, Julia Draudins, Chloe Breakwell, Thomas Bland, Lily Kim, Andrew Justo, David Morley, Jamie Monn, Rahul Ratwatte, Lucy Collins, Sam Allchurch, Rishi Sivadas, Georgia Kiley-Lamont, Lucy Macdonald, Tom Wormald, James Coppe, Rob Hansen, James Mecca, David Parncutt, Kirk Vandergrift, Tim McGregor, Daniel Ko, Shaun Yap, Claire Hamilton, Sarah Mann

 

Fourth Row: Rachel Shen, Elise Tolley, Annabel Wilder, Robert Manolache, Jules Nettle, Imogen Dewey, Judith McFarlane, Ellen Innes, Will Horton, Morgan Druce, Hayley Stratton, Seb Strugnell, Adelaide Myer, Rachel Ryan, Rob Pearce, James Bett, Layce Vocale, Lachlan Kirwan, Eloise Watson, Richard Cole Calvin Lim, Megan Sahli, Douglas Tjandra, Monty Wilson, Cameron Drane, Eva Lambert, Olivia Lamberg, Ben Lancaster, Richard Kelly, Yi-Wen Lai-Tremewan, Nash Atchu, Ka Yi Jessica Pang

 

Third Row: Lucy Foster, Iris Zhu, Caitlin Chapman, Caroline Edwards, Zhi Liang Tan, Helene Duchamp, Eugene Yang, Joshua Crowther, Amelia Linn, Emily Mercer, James Ramsay, Will Penington, Samuel Symons, Rachel Macleod, Andrew Hebbard, Elizabeth Geraghty, Hannah Hornsby, George Whittle, Julia Garside, Stephanie Firth, Patrick Skinner, Xian Buggy, Georgie Cameron, Steph Guy, Charlotte Guy, Neal Wadhwa, Alex MacKenzie, Eliza Wyatt, Isabel Bailey, Peter Wu, Camila Forbes, Erin Barnes, Jenna Conversano, Harriet Lobb

 

Second Row: Amanda Sie, Ash Wallace, Sarah Hom, Chermaine Shi Hui Fong, Su Yin Lai, Grace Ng, Bhagya Mudunna, Claudia Harley, Mika Pejovic, Caroline Watson, Eliza Wallace, Isobel Sloan, Josie Gorter, Pip Van Leeuwen, Sophie Boucaut, Dexter Camison, Alix Roberts, Lauren Anderson, Rose Storey, Tess Mcleod, Margot Eliason, Emily Sydness, Eliza Jonson, Lacey Verley, Sophie Crowther, Katie Possingham, Arunima Jain, Yunn Shin Chen, Amanda Leong, Sabrina Zhao, Dorine Yang, Sissi Wang, Courtney Callister, Zoe Chaplin, Chloe Katsanos

 

First Row (Front): Nalli Blow, Rachel Tucker, Andrew Chong, Benjamin Sim, Louise Bottomley, James Churchill, Alice Young, Callum Forbes, Jerome Cubillo, Astrid Fulton, Will Breidahl, Irini Vazanellis, Antonia Morris, Michael Wyles, Liz Chong, Dr Deane Blacker, Campbell Bairstow (Dean), Professor Andrew McGowan (Warden), Dr Sally Dalton-Brown, Dr Peter Campbell, Chris Freise, Hamish Edridge, Ben Murphy, Scott Limbrick, Tim Hamilton, Kelly Roberts, Laura Chalk, Stella Charls, William Monotti, Ben Russell, Luke Allan, Payal Kaula, Altan Allawala, Michael Possingham

The General James Wolfe monument

 

James Wolfe, son of Edward and Henrietta, was born in 1727 at Westerham in Kent. He was educated at a school in Greenwich and commissioned in his father's regiment in 1741. He had a brilliant career and was a Major-General at age 32. On his last expedition, with Admiral Sir Charles Saunders (who is buried not far from Wolfe's monument) and also the young James Cook, he made his way to Quebec, the capital of French Canada. The French thought the town was impregnable and a first assault by the English failed. But Wolfe's scouting party found a sheer narrow track up to the Heights (or Plains) of Abraham above the town and under cover of darkness on September 13th 1759 his troops moved noiselessly down the St Lawrence river by boat and climbed up the track to completely surprise the French, who then surrendered. Wolfe was hit by three bullets and fell at the head of his men but he knew victory was assured for the English in Canada and was said to have died with a smile on his face.

His body was brought back to England with military honours and at his mother's request James was buried with his father at St Alfege's church in Greenwich.

The Prime Minister, William Pitt, called for a national monument for Wolfe and a large memorial by the sculptor Joseph Wilton was erected to him in the north ambulatory of Westminster Abbey in 1772 at a cost of £3,000. The inscription reads:

...To the memory of James Wolfe Major-General and Commander in Chief

Of the British Land Forces

On the Expedition against Quebec

Who after surmounting by ability and valour

All obstacles of art and nature

Was slain

In the moment of victory

On the XIII of September MDCCLIX

The King

And the Parliament of Great Britain

Dedicate this monument

[Westminster Abbey]

 

Taken inside Westminster Abbey

 

Westminster Abbey (The Collegiate Church of St Peter)

In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.

The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.

Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.

Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.

It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.

There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.

A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.

Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.

Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.

History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.

But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.

[Westminster Abbey]

 

Taken inside Westminster Abbey

 

Westminster Abbey (The Collegiate Church of St Peter)

In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.

The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.

Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.

Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.

It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.

There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.

A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.

Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.

Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.

History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.

But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.

[Westminster Abbey]

 

found at the foot of the church tower (all that's left of the church) in the centre of the town.

 

Haven't found anything much about this memorial (or the old church) yet.

 

Why the need for a new memorial?

Where was the old one?

 

--------------------------------------------------------------------------------------------------------------------------------

 

‘In perpetual remembrance of those citizens of Coleford and District who served their country in time of war and who made the “Supreme Sacrifice”

 

The Great War 1914-1918’

 

--------------------------------------------------------------------------------------------------------------------------------

 

R. I. P.

 

Fitter Corp 149164 Frederick Percy Adams (possible match)

25.03.18 Arras Memorial

1/1st 'K' Heavy Battery, Royal Garrison Artillery

(previously Pte 16186 Gloucester Regiment)

 

Pte PO/2071 (S)William Ebborn Ambury (probable match)

14.07.18 Valenciennes

1st Royal Marine Battalion, R.N. Division, R.M. Light Infantry

See Ancestry - Source: Ian Watkins for William Ambury, son of Albert Ambury and Jane Ebborn. W. Ambury said to have died of disease while a Prisoner of War.

 

Pte 34799 Thomas Henry Aston (possible match)

11.04.18 Harlebeke

10th Battalion, Royal Warwickshire Regt

 

James Barnett

 

William Edmund Barnett

 

Colin Eric Baumgarte

 

George Baynham

 

Arthur Stanley Bayton

 

Sapper 387396 Harry Benfield

20.02.19 Coleford

Royal Monmouthsire, Royal Engineers

 

Pte 37972 Roy Benfield

17.04.18 Loos Memorial

1/5th Battalion, Duke of Cornwall’s Light Infantry

 

George Rowland Bennett

 

Joseph Biggs

 

Sgt 8440 Thomas George Birch M.M.

11.11.17 Dozinghem, nr Poperinge

‘C’ Company, 1st Battalion, Gloucestershire Regt

 

George Blanch

 

Sydney F. Bond

 

Trooper 2465 Ernest James (Laddie) Brouard

09.01.17 Kantara Memorial, Egypt

1/1st Battalion, Royal Gloucestershire Hussars

 

Charles Terrett Brown

 

Pte 26547 Thomas Henry Brown

09.09.16 Thiepval

‘C’ Company, 10th Battalion, Gloucestershire Regt

 

Pte 20498 Sidney Burrows

08.01.16 Helles Memorial

7th Battalion, Gloucestershire Regt

 

Victor Butler

 

Pte PLY/2366 (S) Albert Joseph Capel

26.03.18 Puchevillers, nr Amiens

1st Royal Marine Battalion, R.N. Division, Royal Marine Light Infantry

 

Pte 14672 Oliver Charles

27.09.15 Loos Memorial

1st Battalion, South Wales Borderers

 

Herbert George Clifford

 

Corp 242131 Frederick John James Collet

28.08.17 nr Ypres

2/8th Battalion, Worcestershire Regt

 

Arthur Constant

 

Thomas Cooper

 

Pte PLY/852 (S) Daniel William Davies

03.02.16 English Bicknor

2nd Royal Marine Battalion, R.N. Division, Royal Marine Light Infantry

 

Pte 18089 Harry Dibbin (probable match)

26.03.18 Harbonnieres, nr Villers-Bretonneux

13th Battalion, Gloucester Regt

 

www.cwgc.org/find-war-dead/casualty/118123/DICKSON,%20JAMES Gunner 687477 James Dickson

05.04.18 Betrancourt, nr Arras

‘A’ Battery, 110th Brigade, Royal Field Artillery

 

Ernest Doane

 

2nd Lieut Kenneth Curling Doddrell

19.09.18 Ramleh, Palestine

2nd Battalion, Wiltshire Regt

(attached to 1/4th Battalion)

 

Thomas Dolloway

 

Pte 7743Alfred Doward (probable match)

30.11.16 Thiepval Memorial

1st Battalion, Gloucestershire Regt

 

Pte 27898 William Wysom Dowle

22.09.18 Loos Memorial

8th Battalion, Gloucestershire Regt

(formerly with 2nd Battalion)

 

Pte 5355 Arthur William Eagles

23.07.16 Thiepval Memorial

1/5th Battalion, Gloucestershire Regt

 

Pte 1079 Alfred John Edmunds

13.11.14 Menin Gate Memorial

2nd Battalion, Welsh Regiment

 

L/Cpl 1516 Charles Edwards

05.05.15 Menin Gate Memorial

2nd Battalion, Monmouthshire Regt

 

Claude Vincent Evans

 

Edgar J. Evans

 

Pte 7218 Martin Thomas Evans (probable match)

01.11.14 Harlebeke, nr Ypres

2nd Battalion, Welsh Regt

 

Pte 24890 Augustus Vivian Evans

18.08.18 Newland (All Saints)

10th Battalion, Royal Welsh Fusiliers

 

Pte 24205 Thomas Flannery

28.08.19 Forest of Dean (Christ Church)

Lancashire Fusiliers

Transferred to (584202) 410th Agricultural Company, Labour Corps

 

L/Cpl 9210 William Ewart Fox

04.11.18 Fontain-au-Bois, nr Le Cateau

1st Battalion, Gloucestershire Regt

 

Pte 924 George Frowen

03.02.15 Cuinchy, nr Bethune

1st Battalion, Gloucestershire Regt

 

Pte 13786Percy Frowen

23.08.18 Becourt, nr Arras

7th Battalion, Queen’s Own (Royal West Kent Regt)

 

Pte 265187 Charles Elton Gaulder

26.05.17 Duisans, nr Arras

1/2nd Battalion, Monmouthshire Regt

 

2nd Lieut Frederick Horace Gosling

07.06.17 nr Ypres

32nd Battalion, Royal Fusiliers

WO 339/67565

 

Wiliam Walter Gilbert Griffith

 

L/Cpl 15508 Harry Michael Gunter

14.10.18 Maurois, nr Le Cateau

9th Battalion, Gloucestershire Regt

 

Pte 446443 Frederick Gwilliam

15.09.16 Vimy Memorial

31st Battalion, Canadian Infantry

 

L/Cpl 260289 Herbert (Bert) Gwilliam

04.10.17 Tyne Cot, nr Ypres

12th Battalion, Gloucestershire Regt

(Enlisted in Royal Gloucestershire Hussars)

 

L/Cpl 4066 Richard Haines

15.05.15 Le Touret Memorial

1st Battalion, King’s Royal Rifle Corps

 

George Alfred Hall

 

Pte 266055 Harry Hall

01.07.17 Ypres

1/2nd Battalion, Monmouthsire Regt

 

Pte 15292 Frederick Harris

22.03.16 St Sever, Rouen

10th Battalion, Gloucestershire Regt

(Son of Albert & Elizabeth Harris of Joyford Hill, Coleford)

 

Pte 12978 James Harris

09.05.17 Doiran Memorial, Greece

'D' Company, 9th Battalion, Gloucestershire Regt

(Son of Albert & Elizabeth Harris of Joyford Hill, Coleford)

 

Corp 6333 Milson Harris

13.09.16 Mericourt-l'Abbe, nr Albert (Location of 36th, 38th and 2/2nd London CCS's)

1st Battalion, Gloucestershire Regt

 

Gunner 150307 Roy Harris (possible match)

14.05.18 Franvillers, nr Albert

'D' Battery, 150th Brigade, Royal Field Artillery

 

Eric Howard Harvey M.C. (King’s School & Minsterworth)

 

John Harvey

 

William Ewart Hawkins

 

Pte 340057 Arthur Edward Highley

15.04.18 Ploegsteert Memorial, nr Ypres

1st Battalion, Royal Warwickshire Regt

 

Leslie Maynard Hinton

 

George Hoare

 

James William Hoare D.C.M.

 

www.cwgc.org/find-war-dead/casualty/2948122/HOLLAND,%20G Pte 21999 George Holland

17.04.18 Lillers, nr Bethune

2/5th Battalion, Gloucestershire Regt

 

Alfred Humphreys

 

George Arthur James

 

www.cwgc.org/find-war-dead/casualty/442134/JAMES,%20S%20A Gunner 8889 Sidney Adam James

11.07.17 Dickebusch, nr Ypres

249th Siege Battery, Royal Garrison Artillery

 

www.cwgc.org/find-war-dead/casualty/357405/JENKINS,%20FRA... Pte 27116 Francis George Jenkins

05.07.17 Southend-on-Sea

Gloucestershire Regt

 

Frederick Jennings

 

Alfred William Stephen Jones

 

Ernest Alfred Jones

 

Pte 43888 Frederick Sidney Jones

23.08.18

Essex Regt

 

Pte 86177 Harold Elton Jones

04.11.20

Northumberland Fusiliers

 

Ivor Victor Jones

 

Pte 43657 Reginald John Jones

23.05.18

Bedfordshire Regt

 

Pte 42324 William George Jones

15.04.18

Suffolk Regt

 

Pte 12225 William James Jones

27.04.16

Machine Gun Corps (Infantry)

 

Pte 266901 Frank Gilbert Kear

12.08.18

Gloucestershire Regt

 

Thomas Reginald Kernick

 

Ernest Kilby

 

Gunner 13307 Sydney Kilby

06.08.16

Royal Field Artillery

 

Sgt 162026 Alfred Ernest Lane

20.09.17

Royal Engineers

 

Arthur James Latham

 

Pte 24680 Frederick Latham

13.07.16

Gloucestershire Regt

 

Herbert Thomas Lawrence

 

Percy Booth Lees

 

Pte PO/10347 Percy Edwin Cutter Levett

19.03.18

Royal Marine Light Infantry

 

Pte 13199 Arthur Lewis

30.08.16

Gloucestershire Regt

 

David Lewis

 

Corp 37326 Wilfred George Lewis

22.03.18

South Lancashire Regt

 

Moses Philip Manfield M.M.

 

Charles Urban Mantle

 

John Marshall

 

Albert George Martin

 

Hubert Matthews

 

Walter Merritt

 

Pte 1457 George Merry

26.04.15

Monmouthshire Regt

 

Tom Merry

 

Charles Morgan

 

Frederick Morgan

 

James George Morgan

 

Pte 29425 Ernest Edward Morris

09.05.17

Gloucestershire Regt

 

Ernest Sidney Nash

 

Frederick Nelmes

 

Albert Nicholls

 

Pte 52987 Frederick Oliver

07.11.18

Gloucestershire Regt

 

George Oliver

 

L/Cpl 760955 Edward Ducarel Palmer

30.10.17

London Regiment (Artists’ Rifles)

 

William Robert Panting

 

James Richard Phipps

 

Albert Harry Poole

 

Pte 760955 Herbert James Powell

08.05.17

Gloucestershire Regt

 

Pte 16185 Martin Powell

25.02.17

Gloucestershire Regt

 

W. Powell

 

William Powell

 

Lewis J. Pratt

 

Pte 1656 Albert Preece

22.11.16

Monmouthshire Regt

 

Pte 17016 Frederick John Preece

10.08.15 Helles Memorial

9th Battalion, Worcestershire Regt

 

Pte 1210 Arthur Prichard (Probable match: Pritchard on Memorial)

07.05.15

Monmouthshire Regt

 

Sapper 2079 David Thomas Prichard (Probable match: Pritchard on Memorial)

15.05.16

Royal Engineers

 

Pte 23146 Joseph Prichard

08.02.17

The King’s (Liverpool Regt)

 

Pte 15450 Thomas Pritchard (Probable match: Prichard on memorial)

08.10.15

Gloucestershire Regt

 

Pte 266051 Alfred Roberts

23.04.17

Monmouthshire Regt

 

Sapper 82342 Edward Roberts

15.03.17

Royal Engineers

 

Harold Freeman Roberts

 

Bertie Walter Rogers

 

Charles Rooke

 

Pte 15483 Thomas Russell

20.08.16

Gloucestershire Regt

 

2nd Lieut John Sayes

31.10.18

Devonshire Regt

 

A/S KW/108 Samuel Sayes

27.06.15

RNVR

 

Abendigo Selby

 

Ernest Selwyn

 

Thomas Short

 

Charles Smith

 

Harry Smith

 

Sgt 18028 Milsom John Smith

08.09.16

Gloucestershire Regt

 

Richard Smith

 

Pte 114419 Christopher J. Staite

28.01.19

Army Service Corps

 

Reginald John Stevens

 

Ernest Reginald Taylor M.C.

 

William Henry Taylor

 

L/Cpl 2256 Edgar Stanley Teague

20.09.16

Devonshire Regt

 

Wilfred Thomas Edward Teague

 

Pte 4305 Reginald Amos James Terry

04.12.16

Gloucestershire Regt

 

George Thomas

 

Alfred Tillings

 

Pte 18658 William S. Tippins

30.06.16

Gloucestershire Regt

 

William George Tomsett

 

www.cwgc.org/find-war-dead/casualty/359041/TOOBY,%20F%20M Forewoman Cook 12988 Frances Mary Tooby

14.11.18 English Bicknor

Queen Mary’s Army Auxiliary Corps

 

Harold Townsend

 

Charles T. Tyler

 

Thomas Waite

 

Charles Walker

 

Harry Wasley

 

Sgt 86865 Albert Watkins

31.07.17

Royal Engineers

 

Pte 3/7969 Charles Watkins

06.06.15

Somerset Light Infantry

 

James Watkins

 

John Watkins

 

Edwin Webb

 

Pte 1449 Benjamin White

15.01.16

Monmouthshire Regt

 

William White

 

William Edward Whittington

 

Albert Henry Williams

 

Bert Williams M.M.

 

Walter James Williams

 

Frederick Wilson

 

George Winn

 

Charles Edward Worgan

 

Edward Worgan

 

William Elton Worgan

 

Sydney Worgan

 

Pte 165200 Harold Cray Wyatt

22.10.17

Monmouthshire Regt

 

Ralph Yarworth

 

Pte 24572 Frank Young

07.10.17

Gloucestershire Regt

 

================================================================

Theatre Royal, Drury Lane; London. In 2013 the front of house spaces at the magnificent grade 1 listed Theatre Royal were restored under the care of the Arts Team at RHWL. These are some of the oldest public areas of the theatre and date from Benjamin Wyatt's rebuild of 1812.

 

www.reallyusefultheatres.co.uk/venue-hire/theatres/theatr...

 

London, Drury Lane Theatre Royal.

February 2014

 

The original medieval quire stalls were replaced in the 18th century and again by the present ones in 1848. The black and white marble floor dates from 1677.

[Westminster Abbey]

 

Taken inside Westminster Abbey

 

Westminster Abbey (The Collegiate Church of St Peter)

In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.

The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.

Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.

Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.

It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.

There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.

A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.

Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.

Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.

History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.

But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.

[Westminster Abbey]

The Duke of York Column is a monument in London, England, to Prince Frederick, Duke of York, the second son of King George III. The designer was Benjamin Dean Wyatt. It is sited where a purposefully wide endpoint of Regent Street, known as Waterloo Place and Gardens, meets The Mall, between the two terraces of Carlton House Terrace and their tree-lined squares. The three very wide flights of steps down to The Mall adjoining are known as the Duke of York Steps. The column was completed in December 1832, and the statue of the Duke of York, by Sir Richard Westmacott, was raised on 10 April 1834.

Auckland Castle, also known as Auckland Palace, is a former bishop's palace located in the town of Bishop Auckland in County Durham, England. The castle was a residence of the bishops of Durham from approximately 1183 and was their primary residence between 1832 and 2012, when the castle and its contents were sold to the Auckland Castle Trust (now the Auckland Project). It is now a tourist attraction, but still houses the bishop's offices.

 

The castle is notable for its chapel, described as "one of the finest rooms in North East England" in the Buildings of England series, which was the medieval great hall until it was remodelled by Bishop John Cosin in 1661–65. The woodwork, which includes the pulpit, stalls, and screen, was commissioned by Cosin and combines Gothic and Baroque forms. The castle also contains twelve paintings depicting Jacob and His Twelve Sons by the Spanish painter Francisco de Zurbarán; the thirteenth portrait, Benjamin, is a copy, as the original hangs in Grimsthorpe Castle, Lincolnshire. Auckland Castle is a grade I listed building.

 

Auckland Castle occupies an area of flat ground between the River Gaunless and River Wear, south of their confluence. The town of Bishop Auckland abuts the castle to the west, and on the other three sides the land falls away steeply to the rivers. The castle was probably begun by Hugh de Puiset, who was bishop from 1153 to 1195, and completed in the first half of the thirteenth century. The present chapel survives from his building, where it served as the great hall.

 

A college for a dean and nine canons was established immediately west of the castle's enclosing wall by Bishop Booth in the fifteenth century.

 

In 1603 after the Union of the Crowns, Tobias Matthew invited Anne of Denmark, Prince Henry, and Princess Elizabeth to stay at Auckland on their journey from Scotland to London. After the disestablishment of the Church of England at the end of the First English Civil War in 1646, Auckland Castle was sold to Sir Arthur Haselrig, who demolished much of the medieval building, including the original two-storey chapel, and built a mansion. After the Restoration of the Monarchy, Bishop John Cosin in turn demolished Hazelrigg's mansion and rebuilt the castle, converting the banqueting hall into the chapel that stands today.

 

In 1756, Bishop Richard Trevor bought the notable set of paintings, Jacob and his twelve sons, by Francisco de Zurbarán which still hang in the Long Dining Room. It is possible that the seventeenth century paintings were intended for South America. However they never reached their supposed destination, eventually coming into the possession of James Mendez who sold twelve of the thirteen to Bishop Trevor in 1757.

 

Bishop Trevor was unable to secure the 13th portrait, Benjamin, which was sold separately to the Duke of Ancaster and hangs in Grimsthorpe Castle, Lincolnshire. Bishop Trevor commissioned Arthur Pond to produce a copy painting of "Benjamin". The copy, together with the 12 originals, hang in the castle's Long Dining Room, which Bishop Trevor had redesigned especially to take the pictures.

 

Shute Barrington, Bishop of Durham from 1791 to 1826, employed the eminent architect James Wyatt to match the disparate architecture of the palace in the late 18th century, including its Throne Room and Garden Screen. In 1832, when William van Mildert, the last bishop to rule the county palatine of Durham, gave over Durham Castle to found Durham University, Auckland Castle became the sole episcopal seat of the See of Durham.

 

In 2001 the Church Commissioners voted to sell the paintings, a decision that was revoked in 2011 following a donation of £15 million by investment manager and philanthropist Jonathan Ruffer; new arrangements placed the paintings, along with the castle, under the Auckland Castle Trust, making them available to the public after centuries during which they hung in a private home where they could be seen only by invited guests or by special arrangement with the Bishop's staff.

 

News reports in 2019 clarified the situation, stating that in 2012, Ruffer had purchased the castle and all of the contents, including the artwork, which included the works by Francisco de Zurbarán. The paintings, which had been on tour, were returned to the site in time for the re-opening of the castle to visitors on 2 November 2019 as the Auckland Project, after a multi-million pound restoration project, funded partly by the National Lottery.

 

By the time of the opening day, a new 115-foot (35 m) high tower had been erected as a visitor centre; the structure has a lift and a staircase as well as balconies for views of the castle from above. The interior had been fully restored, including the bishops' "palatial" quarters. According to one news item, "each of the 14 restored rooms, recreated from contemporary accounts and personal recollections" features the career of one former bishop. The Faith Museum of world religion and a huge glass greenhouse were under construction on Castle property.

 

Other attractions already operating at or near the Castle include the Mining Art Gallery (in a nearby former bank building) showing work mainly by self-taught or night school-educated miners; this attraction opened in 2017 (thanks to support provided to the Castle Trust by Bishop Auckland and Shildon AAP and Durham County Council); an open-air theatre, Kynren, depicting "An Epic Tale of England" with a cast of 1,000; and the Bishop Trevor Gallery at the Castle; the latter started displaying the National Gallery's Masterpiece touring exhibit in October 2019.

 

In October 2023, the Faith Museum opened to the public. Designed by Niall McLaughlin Architects, it covers 6000 years of British religious history, from the Neolithic period to 2000AD. It is housed in the Scotland Wing of the castle, as well as a new stone-built extension.

 

In May 2024, the 17th century walled gardens reopened, with a new glasshouse and faith garden. The Great Garden is set to open in 2025.

ALTRINGHAM WAR MEMORIAL CHESHIRE

 

Erected in memory of the men of Altringham and Dunham Massey who gave their lives in the

Great War 1914-1918

Sacred also to the names of those who fell in the Second World War 1939-1945

  

ACKERLEY Joseph

ADAMS Frank, MM

P ADSHEAD Henry P

ADSHEAD Robert

ALDCROFT James F

ALDCROFT John A

ALLEN W Lynn, DSO

ALMOND Alfred

ARDERN Fred

ARDERN Harry

ARDERN Walter

B ARMITAGE John B

ARMITAGE Noel

ARMSTRONG Herbert

ARNOLD Edward G

ARNOLD John

ASHLEY Arthur, MM

ASTALL Alfred

ASTALL Walter

ATHERTON John

ATKINSON A Wilfrid

ATKINSON William J

AXON Edward

J AXON William J

AXON Joseph

AYLWARD John

BABINGTON Fred, MM

BAGNALL William

BAILEY John H

BAILEY William

BANCROFT Harold

BARBER Arthur

BARBER George

BARLOW Keith

BARNETT Frank

BARTON Thomas

BELL Henry

BERRY Harry

BEVAN Thomas

BILLINGTON Norman F

BIRCH James W

BIRCH Norman

BLACKSHAW Alan

BLEASE John

BOARDMAN John H

BOOTH Edgar

BOOTH Joseph

BORTHWICK Thomas, MM

BOWYER John

K BRADBURY Edward K, VC

BRADEN William

BRADY William

BRANDRICK Charles

BRERETON James H

BROADBENT Thomas

BROWN Alfred, MM

BROWN George D

BROWN Harold

BROWN Kingsley

BROWN William I

BRUNDRETT William

BUCHANAN Robert

BULLOCK Albert

BURGESS Joseph

BURGESS Samuel

BURGESS William

BURKE John

BURTON Robert

BUTLER Richard

BUZZA Charles A, MM

CAINE Leonard

CAMDEN Harry

CAMERON William

CARTER Horatio J

CHAPMAN Arthur

CHISWELL Melville

CHORLTON Alfred E

CHEETHAM Tom

CLARKE John E

CLARKE Thomas

CLEGG Albert B

CLOUGH Gilbert S

COBDEN Harry

COLEMAN Alfred

COLEMAN Thomas

COLLIER Fred

COLLINS Frank

COLLINS Thomas

COOK Henry R

COOK John

COOKE Thomas

COOKE Charles W, DCM

COOKSON William

COMAR Edward

COOMBS Alan

COOMBS William W, MM

CORBETT Cyril

COTTINGHAM George E

COTTINGHAM Joseph

COTTRELL Alfred

COWSILL John

CRAGG John A

CRAGG W Arthur

CROFT Charles

CROSSLEY Brian

CROWTHER Alfred

CRUICKSHANK Sydney M

CURLEY William

CURTISS J Harold

DAVENPORT Edward

DAVENPORT Harry

DAVENPORT Herbert

DAVENPORT John E

DAVIS Alfred T

DAVY Leonard

DAWSON George H

DEAN James

DEARN Thomas

DITCHFIELD Harry

DODD Harry

DOHERTY Harold

DONALDSON James

Martin DONNELLEY

Tom DRINKWATER

DRUMMOND-FRASER Haddo R, MC

DRUMMOND-FRASER V Murray

DUCKWORTH Herbert

DUFFY James

DUTTON Neville

DU PRE Thomas D

DYKEMAN John H

EATON George

EATON Jack

EDWARDS Thomas

EDWARDSON Benjamin E

ELLIOTT Charles

ENNION John

ENTWISTLE Herbert

EVANS Fred

EVENSON George H

FAULKNER William T

FLETCHER Joseph

FOGG Clifford

FORD James

FORSTER Thomas F

FOWDEN J William

FRASER Herbert

FROST James

GANDY Jack

GARDE Frederick O

GARNER Arthur

GARNER Samuel R

GILES William D

GLEAVE Reginald P

GOODALL J Cyril

GOODWIN George

GORDON William

GRAHAM Fred

GRAHAM William H

GRAY Thomas W

GREEN John

GREEN William E

GREENWAY Frederick

GREGORY Robert

GRIMSHAW John E

GROARKE William

HAMILTON J Reginald

HAMMOND John J

HAMPSON John

HANDFORTH Fred

HAMNETT John

HARROP William

HASLAM Charles H

HAUGHTON William

HAWORTH Philip T

HENNERLEY William

HESKETH j Ernest E

HICKMAN Fred P

HIGGINS Thomas

HIGGINSON Nathan

HIGSON Henry

HILDAGE Phillip S

HILLIKER Harold

HINDE James E

Michael HINDES

Walter HOBSON

William HOFFMAN

Joseph HOLLINGSWORTH

Francis F HOLMES

Wilfred HOLMES

Alfred HOLT

James HOLT

J Percy HOLT

S Freeman HOLT

Thomas HOLT

Harold HOPKINSON

William H HOPWOOD

Andrew D HUGHES

Arthur HUGHES

Edwin HUGHES

James HUGHES

William HUGHES

Sam HUNTER

James W ILLINGWORTH

Alfred JACKSON

Ernest JACKSON

Ezra JACKSON

William H JACKSON

Joseph JENKINSON

George G JOHNSON

W Morton JOHNSON

Ronald L JOHNSON

Thomas W E JOHNSON

William JOHNSON

George JONES

Herbert JONES

James JOYCE

Peter JOYCE

Harvey C JOYNSON

Herbert KEATLEY

Arthur KEEN

Thomas KELLY

Herbert M KENDALL, (C de G)

William KENNERLEY

James KING

Charles LAMB

James LAMB

Wilfrid Max LANGDON

Ernest LATHAM

Fred S LAWSON

John F LEECH

William H LEIGH

Robert M LEVY

Walter LICHFIELD

James A LOMAS

Pierce LOMAX

Edward LOWE

Joseph LOWE

William MACGARRIGAN

Harold W MACHIN

L Archibald MACKENZIE

Harold W MACKLEY

William MADDOCKS

Robert MAKINSON

William MASSEY

Thomas McCONVILLE

John D McKENZIE

John McPARTLAND

Gilbert J MEDFORD

G Wilfred MELDRUM

Brian T R MELLAND

F Bernard MELLAND

Alfred D MEREDITH

Harold METCALF

Owen MONGAN

Peter MORLEY

Sydney MORRELL

John MORTON

Joshua MOSS

John MUGAN

Montague MUNTON

Arthur MUSSON

Harry NEWHALL

Harry NIELD

John W NEWCOME

James H NORBURY

William NUTTALL

Richard OAKLEY

Walter V O'BRIAN

Thomas O'CONNOR

John OKELL

Henry G OLIVER

Raymond E C OLIVER

Charles O'NEIL

Ernest OWEN

Albert OXLEY

Alfred OXLEY

Gerald PARKER

Alfred E PEARSON

Stanley A PENLINGTON

Joseph PERCIVAL

Thomas PEERS

Roy H PHILLIPS

Ernest POLLITT

William POOLE

Harold POTTER

John POTTS

Arthur POWNALL

Edward S PRICE

William PRIESTNER

John J QUINN

Thomas RAYNER

Austin REEKIE

Henry REEVES

Richard C RHODES

Henry A RHODES

Arthur RICHARDSON

Leonard RICHARDSON

George ROWBOTHAM

Norman RIGBY

William RILEY

William R ROSS

Humphrey ROWE

J Henry ROWLANDS

John ROWNEY

George ROYLE

Ellis RUSTIGE

Fred RUSTIGE

George RUSTIGE

Ralph RYAN

Noel P SANDIFORD

Charles R SANFORD

Ernest SCHOFIELD

Clarence T SCOTT

Herbert SECKER

Harry SHAW

Robert M SHAW

Samuel SHAW

William SHAW

John SIDDALL

Samuel SWIFT

Sidney SWIFT

William H SIMPSON

Archibald SKELHORN

Frank SKELHORN

John SKELHORN

Samuel SKELHORN

Thomas SKELHORN

Fred SMITH

Harry SMITH

Robert E SMITH

Samuel SMITH

Sidney SMITH

Sidney SMITH

Thomas SMITH

William STARKEY

Thomas STEELE

Frederick STOKES

John STOKES

Frank L STREET

Albert E STUBBS

Herbert STUBBS

William Tasker

Harry THOMAS

Fred THOMPSON

Frederick W THOMPSON

William THOMPSON

George H TINKER, MM

W Maurice TRIPP

Robert TURNOCK

Harold VERNON

William H VERNON

Ernest WAKEFIELD

Fred WALLACE

Leonard WALSH

James WARBURTON

John T WARD

Joseph WARHAM

Bert WARRINGTON

Ernest WARRINGTON

James WARRINGTON

Fred P WATERS

John W WATKINSON

Albert WATSON

Alfred E WEETMAN

Mark WHIPP

George WILLIAMS

Howell WILLIAMS

James WILLIAMS

William H WITHINGTON

Christopher W WHINFIELD

James WOODCOCK

George WOODHEAD

Arthur WOODHOUSE

Charles W WRIGHT

Harry WRIGHT

John WYLIE

Benjamin WORRALL

James G WYATT

William WYATT

William ANKERS

James BARKER

William BROOME

Leo F BULL

Sidney CARR

Owen CHORLTON

George CLARKE

Arthur COOPER

William COOPER

Arthur G COLLINGE

Bernard DUCKWORTH

William GORDON

Thomas RUSTIGE

John A CLARKE

Stanley BROWNHILL

Eric LANGFORD

Jack CAVE

George CAVE

Leslie SOUTHAM

Sidney SOUTHAM

Vincent BOARDMAN

Victor BOARDMAN

Norman Riddiough BALSHAW

Frederick CORFIELD

 

WW2

BALSHAW Norman Riddiough

CORFIELD Frederick

THORPE Leslie

 

2009

MM 007124.01

 

Format: digital photograph

Photographer: National Photography

 

7th Row (Back): James Evans, Prakash Rajah, Rob White, Sam Allchurch, Altan Allawala, Fred Dunphy, Jason Hughes, Simon Sealey, Daniel Loudon, Grace Davenport, Craig Battams, Edwina Stawell, John Foxcroft, Tim Newton, Julian Breheny, Oliver Adams, Will Monotti, Angus Hope, James Churchill, Elliot Bannan, Brendan Fitzgerald, Ciaran Arden, Daniel Walford, Mohammad Alamein, Tom Monotti, Duncan Austin, Hamish Hurley, Eudes Nicolas, Stuart Chambers, Justin Tonti-Filippini, Evan Tan, Rohan Byrne

 

Sixth Row: Julin Dascalu, Richard Cole, Catherine Lennie, David Parncutt, Erich Yost, Julian Draudins Lucas Brandao de Oliveira, Rob Hansen, Richard Kelly, Angus Cameron, John Malone, Sam Hall, Chris Dellavedova, Shaun Yap, Marco Chandryanto, Victor So, Andrew Jiang, Nelson Yarwood, Myles O’Kane, Margot Eliason, Shunya Yamada, Thomas Bland, Michael Possingham, Luke Allan, Mark Wallace, Matthew Ruiz, Monty Wilson, Callum Forbes, Hetty Downer, Charlotte Fox, Ben Russell, Cheok Lee

 

Fifth Row: Simon Kennedy, Charlotte Guy, Heather Douglas, Sophie McLean, Eloise Watson, Layce Vocale, Lachlan McCall, Bec Martin, Imogen Dewey, Emily Sydness, James Barnao, Callum Lynch, Eliza Wyatt, Sara Sharpe, Milly Young, Robert Dunphy, Will Breidahl, Olivia Lamberg, Tim McGregor, Joshua Crowther, James Ramsay, Antonia Morris, Len Assakul, Michelle Anson, Will Horton, Sian Buggy, Tom Jalland, Alice Young, William Payne, Robert Manolache, Alex MacKenzie, Isabel Bailey

 

Fourth Row: Sophie Boucaut, Louise Bottomley, Rachel Landgren, Mark Rushton, Jess Clark, Kate Powe, Cici Tulloch, Eleanor Hoffman, Alex Cotter, Haresh Paramesvaran, Rob Pearce, Yien Li Yap, Sophie Payton, Irini Vazanellis, Jules Nettle, Emil Manevski, Martha Dwyer, Claire Mazzone, Jess Morrison, Jerome Cubillo, Mitchell Johnson, Phoebe Morrison, Dharnea Kern, Georgie Cameron, Caja Polglase, Lizzy Mason, Gabrielle Turner, Zoe Chaplin, Briallen Frisken, Siobhan Stagg, Meleesha Bardolia

 

Third Row: David Finn, Iris Zhu, Yunn Shin Chen, Arunima Jain, Eliza Wallace, Astrid Fulton, Steph Guy, Dannel Yeo, Michael Liu, Alex Wills, Andrew Chong, Jack Lang, Tess Mcleod, Alix Roberts, Candy Liddy, Courtney Callister, Stephanie Lin, Mallika Bajaj, Timothy Lim, Nabil Azadi, Samantha Ennels, Rachel Macleod, Calvin Lim, Tim Lau, Rocky Liang, Wai How Choong, Lily Kim, Alex McLeod, Gisele Benkemoun, Emily Mercer

 

Second Row: Kara Kim, Mika Pejovic, Luke Wu, Amanda Leong, Sophie Crowther, Lauren Anderson, Elli Fukui, Amy Chan, Dexter Camison, Amelia Watson, Rachel Oldham, Anna Yorke, Isobel Sloan, Rose Storey, Amanda Sie, Parashar Das, Katie Possingham, Phoebe Williams, Amy Cumming, Lexie Fish, Josie Gorter, Rebekah Tyler, Bianca Premraj, Grace Mg, Rin Cheok, Rachel Shen, Natalie Molino, Lucy Foster

 

First Row (Front): Tim Hamilton, Kelly Roberts, Scott Limbrick, Laura Chalk, Stella Charls, Ben Murphy, Chris Kelly, Hamish Edridge, Eamon Byrne, Grace Mollard, Shivaan Bardolia, Tehanee Bardolia, Rita Ekberg, Jim Bunting, Clare Lin, Hamish Edridge. Staff: Liz Chong, Sally Dalton-Brown, Campbell Bairstow (Dean), Andrew McGowan (Warden), , Rev Prof Dorothy Lee, , .

 

Absent(?): Lizzie Andersen, Angus Anderson, Kate Armstrong, Georgia Barrand, Clint Benjamin, Kirsty Bennett, Nalli Blow, Lauren Briggs, Hannah Cameron, Matthew Chalk, Evan Chang, Katrina Cheong, Peter Clark, Jasmine Cleanthous, Jessica Conner, Tiana Culbong, Louis Daim Rishi Das, Ryen Diggle, Vinay Easwaran, John Ford, David Foster, Julian Garratt, Ariane Garside, Anton Grimus, Chisako Hazama, Joobin Hooshmand, Rob James, Nichelle Janczarski, Chloe Katsanos, Payal Kaula, Brian Law, Gary Li, Victor Li, Andrew Lin, Amelia Linn, Joy Liu, Anthony Long, Annabel Mactier, Prabuharan Marimuthu, Alex Mathew, Rhiannon Maynes, James McGrath, Anna Meiners, Sophie Menikides, Clarie Minns, David Mozur, Kristina Ong, Luke Patterson, Lisa Pavic, Pin Pongtanya, Ashlee Rose, Carla Scafi, Kumar Sepulohniam, Grace Sgam Grace Sharon, Sally Ann Sherman, Benjamin Sim, Amy Song, Pen Spry, Adam Steel, Henry Stewart, Seb Strugnell, Jowie Sze, Shu Yi Tan, Si Ling Tan, Zhi Liang Tan, Tiffany Teoh, Georgie Thompson, Sai Yee Tse, Rachel Tucker, Pip Van Leeuwen, Georgina Venn, Allyse Wafer, Tamsin Wallace, Katherine Wangmann, Caroline Watson, Jackson Webb, Julia Wills, Shona Wills, Daniel Wong, Jocelyn Wong, Tim Worcester, Peter Wu, Michael Wyles, Wen-Jie Yang, Zidi Zhao

   

The tomb of Henry VII and Elizabeth of York

 

This was designed in the Renaissance style by Italian sculptor Pietro Torrigiano (Henry VIII had not liked the designs which were first put forward for the tomb by other sculptors). The black marble tomb base is adorned with six medallions in copper gilt representing the Virgin Mary and Henry's patron saints (Michael, George, Anthony, Christopher, Anne, Edward the Confessor, Vincent, Barbara, Mary Magdalene, John the Baptist and John the Evangelist). At either end are coats of arms supported by cherubs. The gilt bronze recumbent effigies can be seen through the fine grille which surrounds the monument. Seated angels balance on the carved frieze at each corner of the tomb, supporting coats of arms They once held pennants in their hands.

The grille is by Thomas Ducheman (who most likely also designed the bronze gates to the Chapel). Only six of the thirty two statues in the niches of the grille now remain (Saints George, Edward the Confessor, Bartholomew, James the Great, John the Evangelist and another). The badges of the Welsh dragon and the greyhound of Richmond are also part of its decoration. The grille was originally gilded and on special anniversaries many candles, each nine feet high, were lit on top. Four candles were to burn constantly, tended by the monks.

Around the grille (both inside and outside) is a Latin inscription which can be translated

Henry VII rests within this tomb, he who was the splendour of kings and light of the world, a wise and watchful monarch, a courteous lover of virtue, outstanding in beauty, vigorous and mighty; who brought peace to his kingdom, who waged very many wars, who always returned victorious from the enemy, who wedded both his daughters to kings, who was united to kings, indeed to all, by treaty, who built this holy temple, and erected this tomb for himself, his wife, and his children. He completed more than fifty three years, and bore the royal sceptre for twenty four. The fifteenth hundredth year of the Lord had passed, and the ninth after that was running its course, when dawned the black day, the twenty first dawn of April was shining, when this so great monarch ended his last day. No earlier ages gave thee so great a king, O England; hardly will ages to come give thee his like.

[Westminster Abbey]

 

Taken inside the Lady Chapel, Westminster Abbey

 

Henry VII lavished huge sums on his new Lady Chapel, which was begun in 1503 but not completed until 1516, nearly six years after his death. Henry’s imposing tomb at the east end of the chapel has magnificent gilt bronze effigies of the king and his wife, Elizabeth of York, made by the brilliant Florentine Renaissance sculptor, Pietro Torrigiano.

Since 1725, it has been used for installations of Knights of the Order of the Bath, and their colourful heraldic banners hang here. The Sovereign and the Great Master of the Order continue to install new knights in the chapel, usually every four years.

A Lady Chapel is a chapel dedicated to the Blessed Virgin Mary and is common to most cathedrals and large churches.

[Westminster Abbey]

  

Westminster Abbey (The Collegiate Church of St Peter)

In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.

The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.

Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.

Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.

It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.

There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.

A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.

Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.

Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.

History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.

But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.

[Westminster Abbey]

 

The tomb of Henry VII and Elizabeth of York

 

This was designed in the Renaissance style by Italian sculptor Pietro Torrigiano (Henry VIII had not liked the designs which were first put forward for the tomb by other sculptors). The black marble tomb base is adorned with six medallions in copper gilt representing the Virgin Mary and Henry's patron saints (Michael, George, Anthony, Christopher, Anne, Edward the Confessor, Vincent, Barbara, Mary Magdalene, John the Baptist and John the Evangelist). At either end are coats of arms supported by cherubs. The gilt bronze recumbent effigies can be seen through the fine grille which surrounds the monument. Seated angels balance on the carved frieze at each corner of the tomb, supporting coats of arms They once held pennants in their hands.

The grille is by Thomas Ducheman (who most likely also designed the bronze gates to the Chapel). Only six of the thirty two statues in the niches of the grille now remain (Saints George, Edward the Confessor, Bartholomew, James the Great, John the Evangelist and another). The badges of the Welsh dragon and the greyhound of Richmond are also part of its decoration. The grille was originally gilded and on special anniversaries many candles, each nine feet high, were lit on top. Four candles were to burn constantly, tended by the monks.

Around the grille (both inside and outside) is a Latin inscription which can be translated

Henry VII rests within this tomb, he who was the splendour of kings and light of the world, a wise and watchful monarch, a courteous lover of virtue, outstanding in beauty, vigorous and mighty; who brought peace to his kingdom, who waged very many wars, who always returned victorious from the enemy, who wedded both his daughters to kings, who was united to kings, indeed to all, by treaty, who built this holy temple, and erected this tomb for himself, his wife, and his children. He completed more than fifty three years, and bore the royal sceptre for twenty four. The fifteenth hundredth year of the Lord had passed, and the ninth after that was running its course, when dawned the black day, the twenty first dawn of April was shining, when this so great monarch ended his last day. No earlier ages gave thee so great a king, O England; hardly will ages to come give thee his like.

[Westminster Abbey]

 

Taken inside the Lady Chapel, Westminster Abbey

 

Henry VII lavished huge sums on his new Lady Chapel, which was begun in 1503 but not completed until 1516, nearly six years after his death. Henry’s imposing tomb at the east end of the chapel has magnificent gilt bronze effigies of the king and his wife, Elizabeth of York, made by the brilliant Florentine Renaissance sculptor, Pietro Torrigiano.

Since 1725, it has been used for installations of Knights of the Order of the Bath, and their colourful heraldic banners hang here. The Sovereign and the Great Master of the Order continue to install new knights in the chapel, usually every four years.

A Lady Chapel is a chapel dedicated to the Blessed Virgin Mary and is common to most cathedrals and large churches.

[Westminster Abbey]

  

Westminster Abbey (The Collegiate Church of St Peter)

In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.

The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.

Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.

Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.

It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.

There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.

A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.

Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.

Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.

History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.

But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.

[Westminster Abbey]

 

Near the Strand in London. Was here to see Crazy For You at the Novello Theatre.

 

This is the Theatre Royal Drury Lane, currently home of Shrek the Musical.

 

All lit green at night for Shrek.

 

Grade I listed.

 

From Catherine Street.

 

Theatre Royal Drury Lane and Attached Sir Augustus Harris Memorial Drinking Fountain, Westminster

 

TQ 3080 NE CATHERINE STREET, WC2

60/18 & 73/1 Theatre Royal, Drury Lane

 

GV I

 

The address and description shall be amended to read:-

 

CATHERINE STREET, WC2

 

Theatre Royal, Drury Lane

and attached Sir Augustus

Harris Memorial Drinking Fountain

 

I

 

Theatre. Rebuild of 1811-12 by Benjamin Dean Wyatt with portico added

1820 and Russell Street colonnade in 1831 by Samuel Beazley; the

auditorium rebuilt 1921-22 by J. Emblin Walker, Jones and Crombie but

retaining Wyatt's reception rooms, foyer etc. Stuccoed facade, cast

iron colonnade to Russell Street with brick stucco dressed above and

stucco rear elevation to Drury Lane, slate roof. Restrained Grecian

detailing. 2 tall storeys on plinth. 5 window wide entrance front

(1:3:1). Centre 3 bays of ground floor screened by large austere

portico of coupled antae-piers with anthemion band to necks. 3

semicircular arched doorways to hall, recessed for one order in

shallow arcade and flanked by engaged circular pedestals supporting

cast iron lamps. The outer bays, with semicircular arched openings

on ground floor and eared architraved and corniced 1st floor windows,

have flanking giant pilasters carrying the deep entablature and

parapet. The 3 central 1st floor windows have eared architraves and

pediments. The cast iron colonnade to Russell Street has coupled

fluted ionic columns carrying entablature with wrought iron lamp

brackets suspended between each pair of columns. The interior is

unique amongst London theatres in retaining the surviving elements of

its original Wyatt interiors: Greek Doric vestibule, oculus-galleried

rotunda hall, elegant iron balustraded staircase ascending

symmetrically on either side to central 1st floor rotunda foyer with

corinthian column screens under coffered dome etc. the 1921-22

auditorium is Empire style, 3 tiers of 2-bay boxes and 3 balconies.

Elaborate and important installation of Asphaleia stage machinery etc.

 

Survey of London; Vol. XXXV

The Theatres of London; Mander and Mitchelson.

Auckland Castle, also known as Auckland Palace, is a former bishop's palace located in the town of Bishop Auckland in County Durham, England. The castle was a residence of the bishops of Durham from approximately 1183 and was their primary residence between 1832 and 2012, when the castle and its contents were sold to the Auckland Castle Trust (now the Auckland Project). It is now a tourist attraction, but still houses the bishop's offices.

 

The castle is notable for its chapel, described as "one of the finest rooms in North East England" in the Buildings of England series, which was the medieval great hall until it was remodelled by Bishop John Cosin in 1661–65. The woodwork, which includes the pulpit, stalls, and screen, was commissioned by Cosin and combines Gothic and Baroque forms. The castle also contains twelve paintings depicting Jacob and His Twelve Sons by the Spanish painter Francisco de Zurbarán; the thirteenth portrait, Benjamin, is a copy, as the original hangs in Grimsthorpe Castle, Lincolnshire. Auckland Castle is a grade I listed building.

 

Auckland Castle occupies an area of flat ground between the River Gaunless and River Wear, south of their confluence. The town of Bishop Auckland abuts the castle to the west, and on the other three sides the land falls away steeply to the rivers. The castle was probably begun by Hugh de Puiset, who was bishop from 1153 to 1195, and completed in the first half of the thirteenth century. The present chapel survives from his building, where it served as the great hall.

 

A college for a dean and nine canons was established immediately west of the castle's enclosing wall by Bishop Booth in the fifteenth century.

 

In 1603 after the Union of the Crowns, Tobias Matthew invited Anne of Denmark, Prince Henry, and Princess Elizabeth to stay at Auckland on their journey from Scotland to London. After the disestablishment of the Church of England at the end of the First English Civil War in 1646, Auckland Castle was sold to Sir Arthur Haselrig, who demolished much of the medieval building, including the original two-storey chapel, and built a mansion. After the Restoration of the Monarchy, Bishop John Cosin in turn demolished Hazelrigg's mansion and rebuilt the castle, converting the banqueting hall into the chapel that stands today.

 

In 1756, Bishop Richard Trevor bought the notable set of paintings, Jacob and his twelve sons, by Francisco de Zurbarán which still hang in the Long Dining Room. It is possible that the seventeenth century paintings were intended for South America. However they never reached their supposed destination, eventually coming into the possession of James Mendez who sold twelve of the thirteen to Bishop Trevor in 1757.

 

Bishop Trevor was unable to secure the 13th portrait, Benjamin, which was sold separately to the Duke of Ancaster and hangs in Grimsthorpe Castle, Lincolnshire. Bishop Trevor commissioned Arthur Pond to produce a copy painting of "Benjamin". The copy, together with the 12 originals, hang in the castle's Long Dining Room, which Bishop Trevor had redesigned especially to take the pictures.

 

Shute Barrington, Bishop of Durham from 1791 to 1826, employed the eminent architect James Wyatt to match the disparate architecture of the palace in the late 18th century, including its Throne Room and Garden Screen. In 1832, when William van Mildert, the last bishop to rule the county palatine of Durham, gave over Durham Castle to found Durham University, Auckland Castle became the sole episcopal seat of the See of Durham.

 

In 2001 the Church Commissioners voted to sell the paintings, a decision that was revoked in 2011 following a donation of £15 million by investment manager and philanthropist Jonathan Ruffer; new arrangements placed the paintings, along with the castle, under the Auckland Castle Trust, making them available to the public after centuries during which they hung in a private home where they could be seen only by invited guests or by special arrangement with the Bishop's staff.

 

News reports in 2019 clarified the situation, stating that in 2012, Ruffer had purchased the castle and all of the contents, including the artwork, which included the works by Francisco de Zurbarán. The paintings, which had been on tour, were returned to the site in time for the re-opening of the castle to visitors on 2 November 2019 as the Auckland Project, after a multi-million pound restoration project, funded partly by the National Lottery.

 

By the time of the opening day, a new 115-foot (35 m) high tower had been erected as a visitor centre; the structure has a lift and a staircase as well as balconies for views of the castle from above. The interior had been fully restored, including the bishops' "palatial" quarters. According to one news item, "each of the 14 restored rooms, recreated from contemporary accounts and personal recollections" features the career of one former bishop. The Faith Museum of world religion and a huge glass greenhouse were under construction on Castle property.

 

Other attractions already operating at or near the Castle include the Mining Art Gallery (in a nearby former bank building) showing work mainly by self-taught or night school-educated miners; this attraction opened in 2017 (thanks to support provided to the Castle Trust by Bishop Auckland and Shildon AAP and Durham County Council); an open-air theatre, Kynren, depicting "An Epic Tale of England" with a cast of 1,000; and the Bishop Trevor Gallery at the Castle; the latter started displaying the National Gallery's Masterpiece touring exhibit in October 2019.

 

In October 2023, the Faith Museum opened to the public. Designed by Niall McLaughlin Architects, it covers 6000 years of British religious history, from the Neolithic period to 2000AD. It is housed in the Scotland Wing of the castle, as well as a new stone-built extension.

 

In May 2024, the 17th century walled gardens reopened, with a new glasshouse and faith garden. The Great Garden is set to open in 2025.

 

Second wife of writer and mathematician Sir Samuel Morland (1625-95) who is buried at Hammersmith in London. He was the inventor of the speaking trumpet and improver of the fire engine among other things and assistant to Thurloe (secretary to Oliver Cromwell). At the Restoration of Charles II in 1660 he was knighted and created a Baronet and Gentleman of the Privy Chamber. Samuel married Carola in the Abbey on 26 October 1670. The monument is of black and white marbles by sculptor William Stanton and was erected by Sir Samuel with inscriptions in English, Hebrew and Greek, to show off his learning in these languages. The English reads:

Carola daughter of Roger Harsnett Esqr. and of Carola his wife, ye truly loving (and as truly beloved) wife of Samuel Morland Kt. & Bart.[Baronet], bare a second son Oct. 4th, died October 10th in the year of our Lord 1674 aged 23

The Hebrew part can be translated:

Blessed be thou of the Lord, my honoured wife! Thy memory shall be a blessing, O virtuous woman

The Greek can be translated:

When I think of thy mildness, patience, and charity, modesty and piety, I lament thee, O most excellent creature! and grieve accordingly: but not like those who have no hope; for I believe and expect the Resurrection of them that sleep in Christ.

[Westminster Abbey]

 

Taken inside Westminster Abbey

 

Westminster Abbey (The Collegiate Church of St Peter)

In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.

The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.

Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.

Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.

It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.

There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.

A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.

Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.

Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.

History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.

But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.

[Westminster Abbey]

Near the Strand in London. Was here to see Crazy For You at the Novello Theatre.

 

This is the Theatre Royal Drury Lane, currently home of Shrek the Musical.

 

All lit green at night for Shrek.

 

Grade I listed.

 

From Catherine Street.

 

Theatre Royal Drury Lane and Attached Sir Augustus Harris Memorial Drinking Fountain, Westminster

 

TQ 3080 NE CATHERINE STREET, WC2

60/18 & 73/1 Theatre Royal, Drury Lane

 

GV I

 

The address and description shall be amended to read:-

 

CATHERINE STREET, WC2

 

Theatre Royal, Drury Lane

and attached Sir Augustus

Harris Memorial Drinking Fountain

 

I

 

Theatre. Rebuild of 1811-12 by Benjamin Dean Wyatt with portico added

1820 and Russell Street colonnade in 1831 by Samuel Beazley; the

auditorium rebuilt 1921-22 by J. Emblin Walker, Jones and Crombie but

retaining Wyatt's reception rooms, foyer etc. Stuccoed facade, cast

iron colonnade to Russell Street with brick stucco dressed above and

stucco rear elevation to Drury Lane, slate roof. Restrained Grecian

detailing. 2 tall storeys on plinth. 5 window wide entrance front

(1:3:1). Centre 3 bays of ground floor screened by large austere

portico of coupled antae-piers with anthemion band to necks. 3

semicircular arched doorways to hall, recessed for one order in

shallow arcade and flanked by engaged circular pedestals supporting

cast iron lamps. The outer bays, with semicircular arched openings

on ground floor and eared architraved and corniced 1st floor windows,

have flanking giant pilasters carrying the deep entablature and

parapet. The 3 central 1st floor windows have eared architraves and

pediments. The cast iron colonnade to Russell Street has coupled

fluted ionic columns carrying entablature with wrought iron lamp

brackets suspended between each pair of columns. The interior is

unique amongst London theatres in retaining the surviving elements of

its original Wyatt interiors: Greek Doric vestibule, oculus-galleried

rotunda hall, elegant iron balustraded staircase ascending

symmetrically on either side to central 1st floor rotunda foyer with

corinthian column screens under coffered dome etc. the 1921-22

auditorium is Empire style, 3 tiers of 2-bay boxes and 3 balconies.

Elaborate and important installation of Asphaleia stage machinery etc.

 

Survey of London; Vol. XXXV

The Theatres of London; Mander and Mitchelson.

 

In The Chapter House, Westminster Abbey

 

The Chapter House in the East Cloister was a meeting place where the monks gathered with the abbot to ‘hold chapter’: to pray, read from the rule of St Benedict, discuss the day’s business and when the abbot decided on punishments.

It was probably begun in 1246 and completed around 1255 as part of Henry III's re-building of the Abbey and is one of the largest of its kind (internally 18 metres or 60 feet). It is octagonal in shape with tiered seating for up to eighty monks and an imposing central pillar, fanning out to a vaulted ceiling. Henry of Reyns was the supervising master mason, probably with Master Aubrey.

Wall paintings still remain in many of the arches and depict scenes from the Apocalypse in the Book of Revelation. The Last Judgement, dating from about 1390, is shown on the east wall. Large figures of the Annunciation (the Virgin Mary and Archangel Gabriel) stand inside above the doorway. Around this doorway are small seated figures representing a 'Tree of Jesse'. The floor has one of the finest medieval tile pavements in England. it includes a Latin inscription translated as "As the rose is the flower of flowers, so is this the house of houses".

The Chapter House was also the place where the King's Great Council assembled in 1257. This was effectively the beginning of the English Parliament. Later on the House of Commons met here for a few years in the 14th century before using the Abbey Refectory for meetings. After the monks left in 1540 it was used until 1863 as a repository for State records.

Chapter House Interior

The room was rescued and restored by the Abbey's Surveyor Sir George Gilbert Scott Between 1866-1872 he reconstructed the stone vault and roof and re-instated and re-glazed the windows. Much of this stained glass was damaged during air raids in the Second World War but some was salvaged and re-used in the post war glazing scheme. An inscription underneath the windows recalls the work of the original masons "In the handiwork of their craft is their prayer".

[Westminster Abbey]

 

Westminster Abbey (The Collegiate Church of St Peter)

In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.

The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.

Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.

Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.

It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.

There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.

A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.

Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.

Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.

History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.

But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.

[Westminster Abbey]

 

The Dean of Westminster, The Very Reverend Dr John Hall, wanted to commission something to celebrate the reign of Queen Elizabeth II, the United Kingdom's longest-reigning monarch. David Hockney, one of the most influential British artists of this reign, was asked if he would undertake the commission to design a stained glass window in a space which was then of 19th-century blank glass.

David Hockney is a Royal Academician, and has been recognized with an Order of Merit and as a Companion of Honour but had never worked in stained glass.

The Dean's brief to Hockney was to provide something symbolic or representational of the subject, rather than a heraldic or figurative design, and for it to be recognisable as his work. Within a day of being offered the commission, Hockney sent the Dean a first-draft design.

Hockney's design depicts a country scene featuring hawthorn blossom and using his distinct colour palette of yellow, red, blue, pink, orange and greens. It follows on from his acclaimed Royal Academy exhibition A Bigger Picture (2012), a major exhibition of landscape paintings, collages and electronically-produced art depicting the landscape and flora of the East Riding of Yorkshire, near Hockney's birthplace, Bradford.

A Bigger Picture was notable for the inclusion of a number of works produced by Hockney on his iPad, and Hockney again used an iPad to design The Queen's Window. Hockney considered the iPad a natural design tool for this project because, like a stained-glass window, it’s back-lit.

Hockney was also inspired by the work of Henri Matisse and Marc Chagall, painters who also worked in stained glass.

The window reflects Queen Elizabeth II's interest and delight in the countryside, and is described by Hockney as "a celebration".

The Queen's Window depicts the Yorkshire countryside in Spring

Stained glass artists and craftspeople at Barley Studio created the window using traditional techniques, working with the artist to translate his vision into glass. Barley Studio is a leading stained glass studio of over forty years based in York.

Helen Whittaker was primarily responsible for translating Hockney’s design to stained glass, and she made sure to preserve the natural, non-uniform lines of nature, captured by the artist in his design, in the final piece.

The vividly-coloured glass in the window was made by Glashütte Lamberts, Bavaria, who manufacture glass using traditional, hand-blowing techniques.

Barley Studio installed the window in the north transept of the Abbey in September 2018, and the window was dedicated by The Dean at a service on 2nd October 2018.

  

Taken inside Westminster Abbey

 

Westminster Abbey (The Collegiate Church of St Peter)

In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.

The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.

Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.

Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.

It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.

There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.

A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.

Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.

Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.

History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.

But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.

[Westminster Abbey]

Theatre Royal, Drury Lane; London. Detail of the Royal box on the Princes side of the theatre.

 

Drury Lane Theatre Royal, West End, London.

February 2014

Theatre Royal, Drury Lane; London. The Grand Saloon is a beautiful space, now with formerly blocked up windows restored and upto 22 layers of paint removed to reveal and recreate the original scheme. The area above the portico has also been terraced and during fine weather can be opened up for drinks al-fresco.

 

London, Drury Lane Theatre Royal.

February 2014

 

Memorial to John Coleman

 

Inscription reads:

Near this place lyes interred the body of John Coleman Esqr. borne in the parish of Killconnell in the county of Galway and Kingdome of Ireland. He served the Royal Familie viz. King Charles the Second and King James ye Second of blessed memorys with approved fidelity above fifty years, and departed this life a true Christian and loyal subject the second of June 1709 in the 84 year of his age

 

The cloisters of Westminster Abbey

 

Westminster Abbey (The Collegiate Church of St Peter)

In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.

The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.

Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.

Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.

It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.

There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.

A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.

Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.

Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.

History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.

But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.

[Westminster Abbey]

 

In The Chapter House, Westminster Abbey

 

The Chapter House in the East Cloister was a meeting place where the monks gathered with the abbot to ‘hold chapter’: to pray, read from the rule of St Benedict, discuss the day’s business and when the abbot decided on punishments.

It was probably begun in 1246 and completed around 1255 as part of Henry III's re-building of the Abbey and is one of the largest of its kind (internally 18 metres or 60 feet). It is octagonal in shape with tiered seating for up to eighty monks and an imposing central pillar, fanning out to a vaulted ceiling. Henry of Reyns was the supervising master mason, probably with Master Aubrey.

Wall paintings still remain in many of the arches and depict scenes from the Apocalypse in the Book of Revelation. The Last Judgement, dating from about 1390, is shown on the east wall. Large figures of the Annunciation (the Virgin Mary and Archangel Gabriel) stand inside above the doorway. Around this doorway are small seated figures representing a 'Tree of Jesse'. The floor has one of the finest medieval tile pavements in England. it includes a Latin inscription translated as "As the rose is the flower of flowers, so is this the house of houses".

The Chapter House was also the place where the King's Great Council assembled in 1257. This was effectively the beginning of the English Parliament. Later on the House of Commons met here for a few years in the 14th century before using the Abbey Refectory for meetings. After the monks left in 1540 it was used until 1863 as a repository for State records.

Chapter House Interior

The room was rescued and restored by the Abbey's Surveyor Sir George Gilbert Scott Between 1866-1872 he reconstructed the stone vault and roof and re-instated and re-glazed the windows. Much of this stained glass was damaged during air raids in the Second World War but some was salvaged and re-used in the post war glazing scheme. An inscription underneath the windows recalls the work of the original masons "In the handiwork of their craft is their prayer".

[Westminster Abbey]

 

Westminster Abbey (The Collegiate Church of St Peter)

In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.

The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.

Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.

Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.

It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.

There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.

A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.

Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.

Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.

History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.

But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.

[Westminster Abbey]

Robert Hauley (Haule or Hawle), a squire, was murdered in Westminster Abbey in 1378. He and fellow squire John Shakel took a hostage for the payment of the ransom of the Count of Denia, a great Aragonese nobleman whom Hauley had captured at the battle of Najera in 1367. In 1377 Hauley and Shakel were thrown into the Tower of London for refusing an order to hand over the hostage, who was in fact the Count's elder son Alphonso. The Count has been adjudged by Edward the Black Prince to be the prisoner of Hauley, and his ransom was fixed at a vast sum of money, in which London merchants had become financially interested. Also, since the Count was of the Blood Royal of Aragon, his son's captivity in England was a political and diplomatic embarrassment. In 1378 Hauley and Shakel, using violence, escaped from the Tower and took sanctuary at Westminster. A royal letter to Abbot Litlyngton having failed to secure their surrender, the Constable of the Tower, Sir Alan de Buxhall, and Sir Ralph de Ferrers, broke into the Abbey sanctuary with fifty soldiers on 11th August and captured Shakel. This breaking of sanctuary was in itself sacrilege, but worse was done when Hauley, having shown fight, was killed, together with a sacrist named Richard, in the Quire during High Mass. The malefactors and their confederates were excommunicated, excepting only the boy king Richard II, his mother and uncle John of Gaunt. Gaunt was widely suspected of having been implicated because of his claim to be King of Castile and his interest in Spanish politics. Hauley was buried in the south transept. Four months after its desecration the Abbey was reconsecrated. Buxhall had his excommunication lifted on payment of a substantial fine.

A gravestone with an indent of a lost brass of a figure of a man in armour with a sword, a lion at his feet with a marginal inscription and symbols of the four Evangelists at the corners can still be seen near John Dryden's monument.

[Westminster Abbey]

 

At Poets Corner, Westminster Abbey

 

The first poet to be buried here, in 1400, was Geoffrey Chaucer, author of 'The Canterbury Tales'. Not because he was a poet but because he was Clerk of the King's Works. Nearly 200 years later, Edmund Spenser (1553-1598) who wrote 'The Faerie Queene' for Elizabeth I, one of the longest poems in the English language, asked to be buried near Chaucer – perhaps with an eye on his own literary reputation.

And, so began a tradition of burials and memorials which continues to this day. The Deans of Westminster decide who receives a place based on merit though they consult widely. Poets' Corner proper is in the eastern aisle, the 'corner', of the south transept, though over time graves and memorials have spread across the whole transept. There are also several clergymen and actors buried in this transept and musician George Frederic Handel.

[Westminster Abbey]

  

Westminster Abbey (The Collegiate Church of St Peter)

In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.

The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.

Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.

Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.

It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.

There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.

A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.

Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.

Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.

History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.

But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.

[Westminster Abbey]

 

 

The Dean of Westminster, The Very Reverend Dr John Hall, wanted to commission something to celebrate the reign of Queen Elizabeth II, the United Kingdom's longest-reigning monarch. David Hockney, one of the most influential British artists of this reign, was asked if he would undertake the commission to design a stained glass window in a space which was then of 19th-century blank glass.

David Hockney is a Royal Academician, and has been recognized with an Order of Merit and as a Companion of Honour but had never worked in stained glass.

The Dean's brief to Hockney was to provide something symbolic or representational of the subject, rather than a heraldic or figurative design, and for it to be recognisable as his work. Within a day of being offered the commission, Hockney sent the Dean a first-draft design.

Hockney's design depicts a country scene featuring hawthorn blossom and using his distinct colour palette of yellow, red, blue, pink, orange and greens. It follows on from his acclaimed Royal Academy exhibition A Bigger Picture (2012), a major exhibition of landscape paintings, collages and electronically-produced art depicting the landscape and flora of the East Riding of Yorkshire, near Hockney's birthplace, Bradford.

A Bigger Picture was notable for the inclusion of a number of works produced by Hockney on his iPad, and Hockney again used an iPad to design The Queen's Window. Hockney considered the iPad a natural design tool for this project because, like a stained-glass window, it’s back-lit.

Hockney was also inspired by the work of Henri Matisse and Marc Chagall, painters who also worked in stained glass.

The window reflects Queen Elizabeth II's interest and delight in the countryside, and is described by Hockney as "a celebration".

The Queen's Window depicts the Yorkshire countryside in Spring

Stained glass artists and craftspeople at Barley Studio created the window using traditional techniques, working with the artist to translate his vision into glass. Barley Studio is a leading stained glass studio of over forty years based in York.

Helen Whittaker was primarily responsible for translating Hockney’s design to stained glass, and she made sure to preserve the natural, non-uniform lines of nature, captured by the artist in his design, in the final piece.

The vividly-coloured glass in the window was made by Glashütte Lamberts, Bavaria, who manufacture glass using traditional, hand-blowing techniques.

Barley Studio installed the window in the north transept of the Abbey in September 2018, and the window was dedicated by The Dean at a service on 2nd October 2018.

  

Taken inside Westminster Abbey

 

Westminster Abbey (The Collegiate Church of St Peter)

In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.

The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.

Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.

Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.

It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.

There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.

A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.

Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.

Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.

History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.

But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.

[Westminster Abbey]

 

Taken inside the Lady Chapel, Westminster Abbey

 

Henry VII lavished huge sums on his new Lady Chapel, which was begun in 1503 but not completed until 1516, nearly six years after his death. Henry’s imposing tomb at the east end of the chapel has magnificent gilt bronze effigies of the king and his wife, Elizabeth of York, made by the brilliant Florentine Renaissance sculptor, Pietro Torrigiano.

Since 1725, it has been used for installations of Knights of the Order of the Bath, and their colourful heraldic banners hang here. The Sovereign and the Great Master of the Order continue to install new knights in the chapel, usually every four years.

A Lady Chapel is a chapel dedicated to the Blessed Virgin Mary and is common to most cathedrals and large churches.

[Westminster Abbey]

  

Westminster Abbey (The Collegiate Church of St Peter)

In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.

The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.

Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.

Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.

It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.

There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.

A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.

Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.

Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.

History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.

But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.

[Westminster Abbey]

 

Theatre Royal Drury Lane London. The auditorium is one of the more modern parts of the theatre having been reconstructed on the cantilever principal by Emblin Walker, Jones & Cromie in 1922. It is one of London's largest theatres with over 2,200 seats over four levels. The show enjoying a successful run at the time of these photos is "Shrek - The Musical"

 

Drury Lane Theatre Royal

London. January 2012

 

The Dean of Westminster, The Very Reverend Dr John Hall, wanted to commission something to celebrate the reign of Queen Elizabeth II, the United Kingdom's longest-reigning monarch. David Hockney, one of the most influential British artists of this reign, was asked if he would undertake the commission to design a stained glass window in a space which was then of 19th-century blank glass.

David Hockney is a Royal Academician, and has been recognized with an Order of Merit and as a Companion of Honour but had never worked in stained glass.

The Dean's brief to Hockney was to provide something symbolic or representational of the subject, rather than a heraldic or figurative design, and for it to be recognisable as his work. Within a day of being offered the commission, Hockney sent the Dean a first-draft design.

Hockney's design depicts a country scene featuring hawthorn blossom and using his distinct colour palette of yellow, red, blue, pink, orange and greens. It follows on from his acclaimed Royal Academy exhibition A Bigger Picture (2012), a major exhibition of landscape paintings, collages and electronically-produced art depicting the landscape and flora of the East Riding of Yorkshire, near Hockney's birthplace, Bradford.

A Bigger Picture was notable for the inclusion of a number of works produced by Hockney on his iPad, and Hockney again used an iPad to design The Queen's Window. Hockney considered the iPad a natural design tool for this project because, like a stained-glass window, it’s back-lit.

Hockney was also inspired by the work of Henri Matisse and Marc Chagall, painters who also worked in stained glass.

The window reflects Queen Elizabeth II's interest and delight in the countryside, and is described by Hockney as "a celebration".

The Queen's Window depicts the Yorkshire countryside in Spring

Stained glass artists and craftspeople at Barley Studio created the window using traditional techniques, working with the artist to translate his vision into glass. Barley Studio is a leading stained glass studio of over forty years based in York.

Helen Whittaker was primarily responsible for translating Hockney’s design to stained glass, and she made sure to preserve the natural, non-uniform lines of nature, captured by the artist in his design, in the final piece.

The vividly-coloured glass in the window was made by Glashütte Lamberts, Bavaria, who manufacture glass using traditional, hand-blowing techniques.

Barley Studio installed the window in the north transept of the Abbey in September 2018, and the window was dedicated by The Dean at a service on 2nd October 2018.

  

Taken inside Westminster Abbey

 

Westminster Abbey (The Collegiate Church of St Peter)

In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.

The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.

Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.

Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.

It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.

There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.

A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.

Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.

Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.

History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.

But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.

[Westminster Abbey]

 

Taken inside the Lady Chapel, Westminster Abbey

 

Henry VII lavished huge sums on his new Lady Chapel, which was begun in 1503 but not completed until 1516, nearly six years after his death. Henry’s imposing tomb at the east end of the chapel has magnificent gilt bronze effigies of the king and his wife, Elizabeth of York, made by the brilliant Florentine Renaissance sculptor, Pietro Torrigiano.

Since 1725, it has been used for installations of Knights of the Order of the Bath, and their colourful heraldic banners hang here. The Sovereign and the Great Master of the Order continue to install new knights in the chapel, usually every four years.

A Lady Chapel is a chapel dedicated to the Blessed Virgin Mary and is common to most cathedrals and large churches.

[Westminster Abbey]

  

Westminster Abbey (The Collegiate Church of St Peter)

In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.

The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.

Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.

Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.

It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.

There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.

A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.

Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.

Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.

History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.

But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.

[Westminster Abbey]

 

Now in Theatreland London, near Covent Garden.

 

We were walking towards the South Bank (would have to cross the Waterloo Bridge).

 

In Theatreland we walked down Bow Street and Wellington Street.

  

Theatre Royal Drury Lane - Roald Dahl - Charlie and the Chocolate Factory

  

Grade I listed.

 

Theatre Royal Drury Lane and Attached Sir Augustus Harris Memorial Drinking Fountain, Westminster

 

TQ 3080 NE CATHERINE STREET, WC2

60/18 & 73/1 Theatre Royal, Drury Lane

 

GV I

 

The address and description shall be amended to read:-

 

CATHERINE STREET, WC2

 

Theatre Royal, Drury Lane

and attached Sir Augustus

Harris Memorial Drinking Fountain

 

I

 

Theatre. Rebuild of 1811-12 by Benjamin Dean Wyatt with portico added

1820 and Russell Street colonnade in 1831 by Samuel Beazley; the

auditorium rebuilt 1921-22 by J. Emblin Walker, Jones and Crombie but

retaining Wyatt's reception rooms, foyer etc. Stuccoed facade, cast

iron colonnade to Russell Street with brick stucco dressed above and

stucco rear elevation to Drury Lane, slate roof. Restrained Grecian

detailing. 2 tall storeys on plinth. 5 window wide entrance front

(1:3:1). Centre 3 bays of ground floor screened by large austere

portico of coupled antae-piers with anthemion band to necks. 3

semicircular arched doorways to hall, recessed for one order in

shallow arcade and flanked by engaged circular pedestals supporting

cast iron lamps. The outer bays, with semicircular arched openings

on ground floor and eared architraved and corniced 1st floor windows,

have flanking giant pilasters carrying the deep entablature and

parapet. The 3 central 1st floor windows have eared architraves and

pediments. The cast iron colonnade to Russell Street has coupled

fluted ionic columns carrying entablature with wrought iron lamp

brackets suspended between each pair of columns. The interior is

unique amongst London theatres in retaining the surviving elements of

its original Wyatt interiors: Greek Doric vestibule, oculus-galleried

rotunda hall, elegant iron balustraded staircase ascending

symmetrically on either side to central 1st floor rotunda foyer with

corinthian column screens under coffered dome etc. the 1921-22

auditorium is Empire style, 3 tiers of 2-bay boxes and 3 balconies.

Elaborate and important installation of Asphaleia stage machinery etc.

 

Attached memorial drinking fountain on Catherine Street facade. C1897,

designed by sydney R.J. Smith and erected by public subscription

through the Metropolitan Drinking Fountain & Cattle Trough

Association. Bust of Harris by Sir Thomas Brock. Fountain and basin

in a round-arched niche in rough-hewn rusticated granite base over

which are carved putti forming the centre of a plinth from which rise

polished granite corinthian columns, with bronze enrichments of

musical trophies and masonic devices at bases, to carry a sandstone

pediment. Recessed central niche of enriched pulvinated pilasters

carrying a broken segmental pediment beneath which a bronze bust of

Harris on a plinth. Sir Augustus Harris was a popular impresario who

"resurrected the Drury Lane theatre when it had fallen on evil

times". Founded in 1859 the Metropolitan Free Drinking Association

(Cattle Trough added 1867) provided free fresh water to many humans

and beasts at a time when ale and spirits were easier to obtain than

water and most supplies were contaminated the christian association

of water with purity of spirit led evangelical victorians to become

patrons of the association which provided a catalogue of functional

designs although some wealthypatrons used their own.

 

Survey of London; Vol. XXXV

The Theatres of London; Mander and Mitchelson.

 

------------------------------------

 

TQ 3080 NE and 3081 SE CITY OF WESTMINSTER CATHERINE STREET, WC2

 

60/18 and 73/1 Theatre Royal, Drury Lane

24.2.58

G.V. I

 

Theatre. Rebuild of 1811-12 by Benjamin Dean Wyatt with portico added 1820

and Russell Street colonnade in 1831 by Samuel Beazley; the auditorium

rebuilt 1921-22 by J. Emblin Walker, Jones and Cromie but retaining Wyatt's

reception rooms,foyer etc. Stuccoed facade, cast iron colonnade to Russell

Street with brick stucco dressed above and stucco rear elevation to Drury

Lane, slate roof. Restrained Grecian detailing. 2 tall storeys on plinth.

5 window wide entrance front (1:3:1). Centre 3 bays of ground floor

screened by large austere portico of coupled antae-piers with anthemion

band to necks; 3 semicircular arched doorways to hall, recessed for one

order in shallow arcade and flanked by engaged circular pedestals

supporting cast iron lamps. The outer bays, with semicircular arched

openings on ground floor and eared architraved and corniced 1st floor

windows, have flanking giant pilasters carrying the deep entablature and

parapet. The 3 central 1st floor windows have eared architraves and

pediments. The cast iron colonnade to Russell Street has coupled fluted

Ionic columns carrying entablature with wrought iron lamp brackets

suspended between each pair of columns. The interior is unique amongst

London theatres in retaining the surviving elements of its original Wyatt

interiors: Greek Doric vestibule, oculus-galleried rotunda hall, elegant

iron balustraded staircases ascending symmetrically on either side to

central 1st floor rotunda foyer with Corinthian column screens under

coffered dome etc. The 1921-22 auditorium in Empire style, 3 tiers of 3-

bay boxes and 3 balconies. Elaborate and important installation of

Asphaleia stage machinery etc.

 

Survey of London; Vol. XXXV.

The Theatres of London; Mander and Mitchenson.

  

Listing NGR: TQ3053781017

  

This text is a legacy record and has not been updated since the building was originally listed. Details of the building may have changed in the intervening time. You should not rely on this listing as an accurate description of the building.

 

Source: English Heritage

 

Listed building text is © Crown Copyright. Reproduced under licence.

A contemporary portrait of the King wearing coronation robes seated in the Coronation Chair and holding the orb and sceptre is now placed in the nave of the Abbey, having originally been displayed on the south side of the Quire stalls. This wooden panel-painting (213.5cm x 110cm) is the earliest known portrait of an English monarch, dating from the 1390s. The suggestion has been made that the artist was court painter André Beauneveu. The vivid colours show the king in a green tunic decorated with the letter R, wearing a crimson robe lined with ermine, an ermine cape, vermilion socks and gold shoes. It was restored and re-framed (to a design by Sir George Gilbert Scott) in the late 19th century. Unfortunately during this restoration by George Richmond in 1866 the diapered gilt ground and the raised gesso work on the crown, orb and sceptre were taken off. Only a few patches of this decoration can still be seen.

[Westminster Abbey]

 

Taken inside Westminster Abbey

 

Westminster Abbey (The Collegiate Church of St Peter)

In the 1040s King Edward (later St Edward the Confessor) established his royal palace by the banks of the river Thames on land known as Thorney Island. Close by was a small Benedictine monastery founded under the patronage of King Edgar and St Dunstan around 960A.D. This monastery Edward chose to re-endow and greatly enlarge, building a large stone church in honour of St Peter the Apostle. This church became known as the "west minster" to distinguish it from St Paul's Cathedral (the east minster) in the City of London. Unfortunately, when the new church was consecrated on 28th December 1065 the King was too ill to attend and died a few days later. His mortal remains were entombed in front of the High Altar.

The only traces of Edward's monastery to be seen today are in the round arches and massive supporting columns of the undercroft and the Pyx Chamber in the cloisters. The undercroft was originally part of the domestic quarters of the monks. Among the most significant ceremonies that occurred in the Abbey at this period was the coronation of William the Conqueror on Christmas day 1066, and the "translation" or moving of King Edward's body to a new tomb a few years after his canonisation in 1161.

Edward's Abbey survived for two centuries until the middle of the 13th century when King Henry III decided to rebuild it in the new Gothic style of architecture. It was a great age for cathedrals: in France it saw the construction of Amiens, Evreux and Chartres and in England Canterbury, Winchester and Salisbury, to mention a few. Under the decree of the King of England, Westminster Abbey was designed to be not only a great monastery and place of worship, but also a place for the coronation and burial of monarchs. This church was consecrated on 13th October 1269. Unfortunately the king died before the nave could be completed so the older structure stood attached to the Gothic building for many years.

Every monarch since William the Conqueror has been crowned in the Abbey, with the exception of Edward V and Edward VIII (who abdicated) who were never crowned. The ancient Coronation Chair can still be seen in the church.

It was natural that Henry III should wish to translate the body of the saintly Edward the Confessor into a more magnificent tomb behind the High Altar in his new church. This shrine survives and around it are buried a cluster of medieval kings and their consorts including Henry III, Edward I and Eleanor of Castile, Edward III and Philippa of Hainault, Richard II and Anne of Bohemia and Henry V.

There are around 3,300 burials in the church and cloisters and many more memorials. The Abbey also contains over 600 monuments, and wall tablets – the most important collection of monumental sculpture anywhere in the country. Notable among the burials is the Unknown Warrior, whose grave, close to the west door, has become a place of pilgrimage. Heads of State who are visiting the country invariably come to lay a wreath at this grave.

A remarkable new addition to the Abbey was the glorious Lady chapel built by King Henry VII, first of the Tudor monarchs, which now bears his name. This has a spectacular fan-vaulted roof and the craftsmanship of Italian sculptor Pietro Torrigiano can be seen in Henry's fine tomb. The chapel was consecrated on 19th February 1516. Since 1725 it has been associated with the Most Honourable Order of the Bath and the banners of the current Knights Grand Cross surround the walls. The Battle of Britain memorial window by Hugh Easton can be seen at the east end in the Royal Air Force chapel. A new stained glass window above this, by Alan Younger, and two flanking windows with a design in blue by Hughie O'Donoghue, give colour to this chapel.

Two centuries later a further addition was made to the Abbey when the western towers (left unfinished from medieval times) were completed in 1745, to a design by Nicholas Hawksmoor.

Little remains of the original medieval stained glass, once one of the Abbey's chief glories. Some 13th century panels can be seen in the Queen's Diamond Jubilee Galleries. The great west window and the rose window in the north transept date from the early 18th century but the remainder of the glass is from the 19th century onwards. The newest stained glass is in The Queen Elizabeth II window, designed by David Hockney.

History did not cease with the dissolution of the medieval monastery on 16th January 1540. The same year Henry VIII erected Westminster into a cathedral church with a bishop (Thomas Thirlby), a dean and twelve prebendaries (now known as Canons). The bishopric was surrendered on 29th March 1550 and the diocese was re-united with London, Westminster being made by Act of Parliament a cathedral church in the diocese of London. Mary I restored the Benedictine monastery in 1556 under Abbot John Feckenham.

But on the accession of Elizabeth I the religious houses revived by Mary were given by Parliament to the Crown and the Abbot and monks were removed in July 1559. Queen Elizabeth I, buried in the north aisle of Henry VII's chapel, refounded the Abbey by a charter dated 21 May 1560 as a Collegiate Church exempt from the jurisdiction of archbishops and bishops and with the Sovereign as its Visitor. Its Royal Peculiar status from 1534 was re-affirmed by the Queen and In place of the monastic community a collegiate body of a dean and prebendaries, minor canons and a lay staff was established and charged with the task of continuing the tradition of daily worship (for which a musical foundation of choristers, singing men and organist was provided) and with the education of forty Scholars who formed the nucleus of what is now Westminster School (one of the country's leading independent schools). In addition the Dean and Chapter were responsible for much of the civil government of Westminster, a role which was only fully relinquished in the early 20th century.

[Westminster Abbey]

At the west end of the Nave of Westminster Abbey is the grave of the Unknown Warrior, whose body was brought from France to be buried here on 11th November 1920. The grave, which contains soil from France, is covered by a slab of black Belgian marble from a quarry near Namur. On it is the following inscription, composed by Herbert Ryle, Dean of Westminster:

BENEATH THIS STONE RESTS THE BODY

OF A BRITISH WARRIOR

UNKNOWN BY NAME OR RANK

BROUGHT FROM FRANCE TO LIE AMONG

THE MOST ILLUSTRIOUS OF THE LAND

AND BURIED HERE ON ARMISTICE DAY

11 NOV: 1920, IN THE PRESENCE OF

HIS MAJESTY KING GEORGE V

HIS MINISTERS OF STATE

THE CHIEFS OF HIS FORCES

AND A VAST CONCOURSE OF THE NATION

THUS ARE COMMEMORATED THE MANY

MULTITUDES WHO DURING THE GREAT

WAR OF 1914-1918 GAVE THE MOST THAT

MAN CAN GIVE LIFE ITSELF

FOR GOD

FOR KING AND COUNTRY

FOR LOVED ONES HOME AND EMPIRE

FOR THE SACRED CAUSE OF JUSTICE AND

THE FREEDOM OF THE WORLD

THEY BURIED HIM AMONG THE KINGS BECAUSE HE

HAD DONE GOOD TOWARD GOD AND TOWARD

HIS HOUSE

Around the main inscription are four texts:

(top) THE LORD KNOWETH THEM THAT ARE HIS,

(sides) GREATER LOVE HATH NO MAN THAN THIS

UNKNOWN AND YET WELL KNOWN, DYING AND BEHOLD WE LIVE,

(base) IN CHRIST SHALL ALL BE MADE ALIVE.

Selecting the Unknown Warrior

The idea of such a burial seems first to have come to a chaplain at the Front, the Reverend David Railton (1884-1955), when he noticed in 1916 in a back garden at Armentières, a grave with a rough cross on which were pencilled the words "An Unknown British Soldier". In August 1920 he wrote to the Dean of Westminster, Herbert Ryle, through whose energies this memorial was carried into effect. The body was chosen from unknown British servicemen exhumed from four battle areas, the Aisne, the Somme, Arras and Ypres. (some sources say six bodies but confirmed accounts say four).

The remains were brought to the chapel at St. Pol on the night of 7th November 1920. The General Officer in charge of troops in France and Flanders, Brigadier General L.J. Wyatt, with Colonel Gell, went into the chapel alone, where the bodies on stretchers were covered by Union Flags. They had no idea from which area the bodies had come. Brigadier Wyatt selected one and the two officers placed it in a plain coffin and sealed it. The other three bodies were reburied. Wyatt said they were re-buried at the St Pol cemetery but Lt. (later Major General Sir) Cecil Smith says they were buried beside the Albert-Baupaume road to be discovered there by parties searching for bodies in the area.

In the morning Chaplains of the Church of England, the Roman Catholic Church and Non-Conformist churches held a service in the chapel before the body was escorted to Boulogne to rest overnight. The next day the coffin was placed inside another which had been sent over specially from England made of two-inch thick oak from a tree which had grown in Hampton Court Palace garden, lined with zinc. It was covered with the flag that David Railton had used as an altar cloth during the War (known as the Ypres or Padre's Flag, which now hangs in St George's Chapel). Within the wrought iron bands of this coffin had been placed a 16th century crusader's sword from the Tower of London collection. The inner coffin shell was made by Walter Jackson of the firm of Ingall, Parsons & Clive Forward at Harrow, north London and the larger coffin was supplied by the undertakers in charge of the arrangements, Nodes & Son.

The coffin plate bore the inscription:

A British Warrior who fell in the Great War 1914-1918 for King and Country.

The ironwork and coffin plate were made by D.J. Williams of the Brunswick Ironworks at Caernarfon in Wales. The destroyer HMS Verdun, whose ship's bell was presented to the Abbey and now hangs near the grave, transported the coffin to Dover and it was then taken by train to Victoria station in London where it rested overnight.

The Burial

On the morning of 11th November the coffin was placed, by the bearer party from the 3rd Battalion Coldstream Guards, on a gun carriage drawn by six black horses of the Royal Horse Artillery. It then began its journey through the crowd-lined streets, making its first stop in Whitehall where the Cenotaph was unveiled by King George V. The King placed his wreath of red roses and bay leaves on the coffin. His card read "In proud memory of those Warriors who died unknown in the Great War. Unknown, and yet well-known; as dying, and behold they live. George R.I. November 11th 1920". [George Rex. Imperator meaning King and Emperor of India]

Then the carriage, with the escorting pall bearers (Admirals) Lord Beatty, Sir Hedworth Meux, Sir Henry Jackson, Sir C.E. Madden, (Field Marshals) Lord French, Lord Haig, Lord Methuen, Sir Henry Wilson, (Generals) Lord Horne, Lord Byng, Albert Farrar-Gatliff and Air Chief Marshal Sir Hugh Trenchard followed by the King, members of the Royal Family and ministers of State, made its way to the north door of Westminster Abbey.

While the Cenotaph unveiling was taking place the Choir inside the Abbey sang, unaccompanied, "O Valiant Hearts" (to the tune Ellers). The hymn "O God our help in ages past" was sung by the congregation and after prayers there was the two minutes silence at 11am. The Contakion of the Faithful Departed was then sung and the choir processed to the north porch to meet the coffin, with the hymn "Brief life is here our portion" being sung.

The shortened form of the Burial Service began with the singing of the verses "I am the resurrection and the life" (set by William Croft) and "Thou knowest Lord" (by Henry Purcell) during the procession to the grave. The coffin was borne to the west end of the nave through the congregation of around 1,000 mourners and a guard of honour of 100 holders of the Victoria Cross (from all three services). They were under the command of Colonel Freyburg VC. The choir sang the 23rd Psalm.

After the hymn "Lead kindly light", the King stepped forward and dropped a handful of French earth onto the coffin from a silver shell as it was lowered into the grave. At the close of the service, after the hymn "Abide with me" (tune Eventide) and prayers, the congregation sang Rudyard Kipling's solemn Recessional "God of our fathers" (to the tune Melita), after which the Reveille was sounded by trumpeters (the Last Post had already been sounded at the Cenotaph unveiling). Other eminent members of the congregation were Queen Alexandra, the queens of Spain and Norway, the Duke of Connaught, politicians Lloyd George and Asquith, and Sir Douglas Dawson.

The grave was then covered by an embroidered silk funeral pall, which had been presented to the Abbey by the Actors' Church Union in memory of their fallen comrades, with the Padre's flag lying over this. Servicemen kept watch at each corner of the grave while thousands of mourners filed past. Wreaths brought over on HMS Verdun were added to others around the grave. The Abyssinian cross, presented to the Abbey at the time of the 1902 coronation, stood at the west end. The Abbey organ was played while the church remained open to the public. After the Abbey had closed for the night some of the choristers went back into the nave and one later wrote "The Abbey was empty save for the guard of honour stiffly to attention, arms (rifles) reversed, heads bowed and quite still - the whole scene illuminated by just four candles".

Special permission had been given to make a recording of the service but only the two hymns were of good enough quality to be included on the record, the first electrical recording ever to be sold to the public (with profits going to the Abbey's restoration fund).

The grave was filled in, using 100 sandbags of earth from the battlefields, on 18th November and then covered by a temporary stone with a gilded inscription on it:

A BRITISH WARRIOR WHO FELL IN THE GREAT WAR 1914-1918 FOR KING AND COUNTRY. GREATER LOVE HATH NO MAN THAN THIS.

New stone and the Congressional Medal

On 11th November 1921 the present black marble stone was unveiled at a special service. The stone (size 7 feet by 4 feet 3 inches, depth 6 inches) was supplied and lettered by Mr Tomes of Acton and the brass for the inscription supplied by Nash & Hull. Benjamin Colson carried out the brass work. The Padre's Flag was also formerly dedicated at this service.

General Pershing, on behalf of the United States of America, conferred the Congressional Medal of Honor on the Unknown Warrior on 17th October 1921 and this now hangs in a frame on a pillar near the grave. In October 2013 the Congressional Medal of Honor Society presented the Society's official flag to the Unknown Warrior and this is framed below the medal.

The body of the Unknown Warrior may be from any of the three services, Army, Navy or Air Force, and from any part of the British Isles, Dominions or Colonies and represents all those who died who have no other memorial or known grave.

When the Duke of York (later King George VI) married Lady Elizabeth Bowes Lyon in the Abbey in 1923 as she left she laid her wedding bouquet on the grave as a mark of respect (she had lost a brother during the war). All royal brides married in the Abbey since then have sent back their bouquets to be laid on the grave (as also have some royal brides who were married elsewhere).

Padre's Flag

A bronze plaque on a pillar outside St George's chapel concerns the Padre's Flag:

This Union Jack sometimes called the Padre's Flag was used day by day on flag post on improvised altar or as a covering for the fallen on the Western Front during the Great War 1914-1918. It covered the coffin of the Unknown Warrior at his funeral on November 11th 1920. After resting for a year on the grave it was presented to the Abbey Church of Westminster on Armistice Day 1921 by the chaplain who used it during the war and was dedicated on the High Altar "To the glory of God and in perpetual memory of all who gave their lives fighting by land and sea and air for their King, for Great Britain and Ireland and for the Dominions beyond the seas

At the dedication service on 11th November 1921 the flag was hoisted onto the pillar above the grave. Company Sgt. Major Harry Evans, a soldier from the 17th London Division climbed a tall ladder to fix the flag, with the 5th brigade of the 47th London Division looking on. It remained there for many years before being moved to hang in St George's chapel in 1964. Before being presented to the Abbey the flag had been cleaned so there are no bloodstains on it.

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